Lewis Capaldi Quotes
I get lots of requests from people to write sad songs, and I'm like, 'No, that's rubbish patter.'
Quotes to Explore
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I don't really like to explain my songs.
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Many of the songs on Undertow were written at the time Opiate came out.
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I wrote poetry before I wrote songs, and T.S. Eliot was my inspiration. I love his honesty and try to bring that to my own songwriting.
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I really believed that my songs were good enough for the whole world to listen to. I had fans from America or the U.K. who would be like, 'Oh my God, I love your music'.
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So many songs are just a wink to the audience, but people take them seriously. 'My Humps?' C'mon!
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Everything I record, I just try to sound like me and come up with songs that suit what I do and then just go for it. I never know what the public's going to like, anyway.
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I love writing songs.
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The biggest influence? I've had several at different times – but the biggest for me was Bob Dylan, who was a guy that came along when I was twelve or thirteen and just changed all the rules about what it meant to write songs.
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I tend to name albums after one of the songs.
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With my songs I tried to prove that there is love.
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A letdown is worth a few songs. A heartbreak is worth a few albums.
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Every battalion has its marching songs.
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The songs I love to sing are story songs, from Yiddish songs to Tom Waits.
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There are people who think I am Israeli. That's rubbish.
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A lot of my solo albums were produced by different people who had their idea of what songs I should do, and they had me doing a lot of ballads.
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We lived, ate, and breathed pop songs.
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Dad really had little to do with the songs, except to perform them.
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My pump-up songs before I compete are not the usual. They're more girly songs. I love 'The Climb' by Miley Cyrus. It's about the journey and savoring every moment. I have 'The World's Greatest' by R. Kelly on my playlist, too.
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A songwriter writes songs all the time, whereas just writing a song can be done by anyone, anytime.
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I couldn't just hand in any old rubbish - I can't go on tour and sing something for three years if I don't believe in it.
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Since I have always preferred making plans to executing them, I have gravitated towards situations and systems that, once set into operation, could create music with little or no intervention on my part. That is to say, I tend towards the roles of planner and programmer, and then become an audience to the results.
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I get lots of requests from people to write sad songs, and I'm like, 'No, that's rubbish patter.'
