Mara Brock Akil Quotes
I often attribute my screenwriting to journalism because they drill in the who, what, when, where and why - but we really need to land on that why. That's what I've been exploring in my writing for many years and trying to get better at.
Quotes to Explore
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As for my diet, I try to eat lean, clean and healthy - nothing too surprising. And I avoid too much meat or dairy because they slow you down.
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It's a different way of getting across an emotion. You're trying to get it across to the animator because the animator is inspired by the voicetrack in terms of how to animate the character.
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I've often said that all poetry is political. This is because real poems deal with a human response to reality and politics is part of reality, history in the making. Even if a poet writes about sitting in a glass house drinking tea, it reflects politics.
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When my lady and I sit down and watch TV, I find she gets annoyed at characters because they don't do what she would do in the situation. I'm always like, 'Well, she has to do that because that's what the story is.'
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Stillness of person and steadiness of features are signal marks of good breeding.
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To gastroenterologists, the concept of a germ causing ulcers was like saying that the Earth is flat.
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I don't really desire things. I prefer to spend my money on experiences, on meals or travel.
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France is a fantastic country. It's between the Anglo-Saxon and Latin cultures. We have some of the Anglo-Saxon rigor, and some of the Latin quirkiness.
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Ending Iran's nuclear threat and bringing it into the international community of law-abiding nations is one of the most pressing U.S. foreign policy objectives.
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I am not a prisoner of conscious, but people try to make me one sometimes. It is both a gift and a curse. It's a high honour but can create limitations - I have to be fluid.
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I learned very early on in life that not everyone wants to hear every fact in the world, even if you want to tell them everything you've ever read.
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There comes a point in nearly every book event I've done when a little feminist revolt stirs inside the crowd.
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I really love acting, but I also really want to be a historian, so it's really confusing.
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I had rather have a plain, russet-coated Captain, that knows what he fights for, and loves what he knows, than that which you call a Gentle-man and is nothing else.
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American business at this point is really about developing an idea, making it profitable, selling it while it's profitable and then getting out or diversifying. It's just about sucking everything up.
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The only questions that really matter are the ones you ask yourself.
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When I was in Van Halen I was hitting notes that were out of my range. I never went for those registers before until Eddie pulled it out of me.
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I may even show up behind the camera. I love to put things together; I love to give direction. I have a great eye for pace.
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Our Strategic Petroleum Reserve is there for a natural disaster or some other catastrophe.
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Many Americans don't mourn in public anymore - we don't wear black, we don't beat our chests and wail.
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Free is never Worth it
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Less is more.
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What I really intend to achieve is to be that fly on the wall, and to try and observe as much as I can without affecting what I've seen. I want to get a sense that what I'm seeing in a place would have happened had I not be there. Were I to make myself an important presence, that would be lost. The danger of a certain other kind of reporting is that people give you what they think you are seeking. People know what you want. When I was traveling in Congo and Rwanda and people asked me what I wanted, I would say, "Nothing. I just want to be here." And that immediately disarmed them.
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I often attribute my screenwriting to journalism because they drill in the who, what, when, where and why - but we really need to land on that why. That's what I've been exploring in my writing for many years and trying to get better at.
