Rachel Bloom Quotes
I think I have learned to really get out of the mathematical side of myself that looks at story and story structure and go with, "Okay, well, what would people do in real life?"
Quotes to Explore
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Dance and I are synonymous, and nobody can take away dance from my life. Also, I cannot look at dance in an inert way; it's my passion, and I get keen on being part of any show or film that has dance!
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With the price of life these days, you've got to get everything for free you can.
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If you love things or ideas or people that contradict each other, you have to be prepared to fight for every square inch of intellectual real estate you occupy.
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I'm guilty of it myself, sort of thinking, 'Classic novels: snoozeville.' But there is a huge amount of wonderful material.
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I've always been just as interested in making people think as I am in making them feel, and one of the things this scientific process allows me to do is make the audience look differently at dance.
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Surround yourself with people who provide you with support and love and remember to give back as much as you can in return.
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When you're trying to bring the streets into rap to prove a point, then you already lost. You separate the two, and that ain't to be played with. You've got people that lost their lives and people that are doing real time. If we gon' make music, let's just make music.
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I've been angst-ridden all my life, but finally I'm in a place where things don't matter so much.
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I think people underestimate the importance of lighting - layers of lighting, not just one light. I do a lighting seminar where I take a $300-a-yard fabric and a $3-a-yard fabric. I show what lighting can do to either one.
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People often write after they finish their career, or they don't play anymore, or they are not anymore active. So I say, why do that? And let's do it differently.
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When I watch a romantic comedy, I feel like they're selling something that doesn't exist. Two beautiful, but extremely unpleasant, people are terrible to each other for an hour, accidentally kiss, then decide to like each other during an extremely vague montage. That isn't how people fall in love.
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My music has a high irritation factor. I've always tried to say something. Eccentric lyrics about eccentric people. Often it was a joke. But I would plead guilty on the grounds that I prefer eccentricity to the bland.
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I never felt at home in London, because people were constantly telling me I didn't belong here, so after a while, you tend to believe that.
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I don't necessarily want to make people stomp and clap. I simply want to engage people.
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People going into the cities for the opportunities and the towns are getting older, no young people.
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I liked 'Star Wars,' but I wasn't an uberfan like many people are.
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I don't think the spirit of Hollywood is such a spirit of generosity. I think people really begrudge giving. In New York, it's like that.
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It's not true that life is one damn thing after another; it's one damn thing over and over.
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Here comes Monseiur Le Beau. Rosalind: With his mouth full of news. Celia: Which he will put on us, as pigeons feed their young. Rosalind: Then shall we be news-crammed. Celia: All the better; we shall be the more marketable.
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One time I introduced my orchestra as the Shampoo Music Makers instead of the Champagne Music Makers.
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I consider myself a D.I.Y. home improvement guy. In a prior life, I completely gutted a house - redid the plumbing, wiring, moved sewage pipes, knocked down walls, everything.
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We're all different; we all have our ways of understanding ourselves and the way we live our lives and struggle with our humanity.
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I think I have learned to really get out of the mathematical side of myself that looks at story and story structure and go with, "Okay, well, what would people do in real life?"
