Rachel Bloom Quotes
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The No. 1 thing I am earnestly attracted to is intelligence.
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Everyone around me was super-cool and laid back and skinny and tan and volleyball-y, and I was just this neurotic kid who was singing 'Annie Get Your Gun.'
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Fashion has always been a source of stress for me because I don't know how to dress myself. I'm short-torsoed with big boobs, and I don't really understand what a belt does. But you get on these shows, and people fit the clothing to you, and suddenly you learn, 'Oh, I should be wearing petite jackets.'
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The definition of a musical is that the emotion is so strong that you can't talk anymore, you have to sing. The emotion isn't strong enough when you're just like, 'Let's take a second to sing about lamps!'
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I lived with Ilana Glazer of 'Broad City.' She was my roommate for a year and a half. I was living with her just as she was creating and filming 'Broad City.' Both of us, and a lot of my friends, come from the Upright Citizens Brigade theater either in New York or L.A.
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Making a musical television show was always the ultimate dream. But I really didn't think it would ever happen. Because who's going to make a musical television show?
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My grandpa was an amateur stand-up comic when I was growing up. ... He'd have me come up onstage with him to deliver a punch line: 'Why is your nose in the middle of your face?' 'Because it's the scenter.'
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I grew up in Southern California, and I particularly did not fit in. I always felt like a fish out of water in my hometown because everyone was very happy, and I was thinking about death and anxiety, and not many other people around me seemed to be thinking about that.
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While actors are great and awesome, writers literally create new worlds from scratch. What is sexier than that? Personally, I don't know why every last person out there isn't dating a writer.
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I have my own show at 28 and a Golden Globe. So, yes, I face rejection, but I've also been very fortunate and understand how fortunate I am.
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When a network passes, you really mourn the show. The official state of grief in Hollywood is saying you're taking around a dead pilot.
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Only children are weird. The only children I know, including myself, are either superweird or very talented and special or a mix of the two. I think there was always a certain independence and loneliness - I had a lot of imaginary friends as a kid.
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I feel like a lot of serious music lives in generalizations - 'Love is a flower,' 'The sky is so dark' - but comedy lives in specifics.
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I've loved musical theater ever since I was a kid. My mother's a pianist, and my grandfather was an amateur theater director and stand-up comic. And I was an only child. And I loved attention. So from an early age, my family was teaching old musical songs.
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We're told all the time to give up everything for love. That's the Western notion of what love is - love conquers all, all you need is love. And there are so many different kinds of outside, conflicting pressures on women.
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For lack of a better word, I've let love and infatuation emasculate me.
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For myself, the way that I learned comedy was doing it live for four years, and only after doing sketch for four years did I feel confident enough to be like, 'Okay, I feel good about starting to put stuff on the Internet where it lives forever.' As opposed to one time at a college sketch show where it bombs and we never speak of it again.
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My standards are based on shows I like, like 'Girls' or 'Arrested Development.' And they're all shows that are groundbreaking. I guess in the back of my head, I think, If you're not being groundbreaking, then what are you doing? If you're not being ballsy and honest and vulgar, then what are you doing?
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All I listened to until age 18 growing up was musical theater. I liked the escapism of it.
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I think in a lot of network television, everyone's vaguely Protestant and doesn't really go to church so they can be 'relatable.'
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I have noticed when you get a bunch of dudes in a room together, and you just have one woman or two women, the dudes will bro out. And the woman won't get heard.
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You see so many of these empowering songs where a woman saying, you know, I'm going to go out, I'm going to wear high heels, you know, short skirt or whatever. But the high heels are quite uncomfortable, and so how good about yourself are you really feeling walking out in high heels?
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I have such pride in furthering the American musical and using it as a way to tell story.
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As a young girl, if you do something funny - especially if you're Jewish - someone says, 'Oh, have you seen Gilda Radner?'