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Everyone around me was super-cool and laid back and skinny and tan and volleyball-y, and I was just this neurotic kid who was singing 'Annie Get Your Gun.'
Rachel Bloom -
I lived with Ilana Glazer of 'Broad City.' She was my roommate for a year and a half. I was living with her just as she was creating and filming 'Broad City.' Both of us, and a lot of my friends, come from the Upright Citizens Brigade theater either in New York or L.A.
Rachel Bloom
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You create your own material to try to get it out there because a lot of people are multi-hyphenates, to use the corporate term. You're creating stuff to be in in order to showcase all your talents. I think the idea of using YouTube and the Internet, you don't have to wait around for a network to buy your show.
Rachel Bloom -
While actors are great and awesome, writers literally create new worlds from scratch. What is sexier than that? Personally, I don't know why every last person out there isn't dating a writer.
Rachel Bloom -
I have my own show at 28 and a Golden Globe. So, yes, I face rejection, but I've also been very fortunate and understand how fortunate I am.
Rachel Bloom -
Fashion has always been a source of stress for me because I don't know how to dress myself. I'm short-torsoed with big boobs, and I don't really understand what a belt does. But you get on these shows, and people fit the clothing to you, and suddenly you learn, 'Oh, I should be wearing petite jackets.'
Rachel Bloom -
When a network passes, you really mourn the show. The official state of grief in Hollywood is saying you're taking around a dead pilot.
Rachel Bloom -
For myself, the way that I learned comedy was doing it live for four years, and only after doing sketch for four years did I feel confident enough to be like, 'Okay, I feel good about starting to put stuff on the Internet where it lives forever.' As opposed to one time at a college sketch show where it bombs and we never speak of it again.
Rachel Bloom
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When you wrap up your self-worth with your talent, and suddenly you might not be the most talented, that's really scary. And I think that fear is in part why I turned to comedy because I had no expectations of being a comedian. It was exciting to get good at something where I wasn't afraid of not being the best.
Rachel Bloom -
Making a musical television show was always the ultimate dream. But I really didn't think it would ever happen. Because who's going to make a musical television show?
Rachel Bloom -
For lack of a better word, I've let love and infatuation emasculate me.
Rachel Bloom -
I grew up in Southern California, and I particularly did not fit in. I always felt like a fish out of water in my hometown because everyone was very happy, and I was thinking about death and anxiety, and not many other people around me seemed to be thinking about that.
Rachel Bloom -
My standards are based on shows I like, like 'Girls' or 'Arrested Development.' And they're all shows that are groundbreaking. I guess in the back of my head, I think, If you're not being groundbreaking, then what are you doing? If you're not being ballsy and honest and vulgar, then what are you doing?
Rachel Bloom -
We're told all the time to give up everything for love. That's the Western notion of what love is - love conquers all, all you need is love. And there are so many different kinds of outside, conflicting pressures on women.
Rachel Bloom
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I feel like a lot of serious music lives in generalizations - 'Love is a flower,' 'The sky is so dark' - but comedy lives in specifics.
Rachel Bloom -
Only children are weird. The only children I know, including myself, are either superweird or very talented and special or a mix of the two. I think there was always a certain independence and loneliness - I had a lot of imaginary friends as a kid.
Rachel Bloom -
All I listened to until age 18 growing up was musical theater. I liked the escapism of it.
Rachel Bloom -
I think in a lot of network television, everyone's vaguely Protestant and doesn't really go to church so they can be 'relatable.'
Rachel Bloom -
I've loved musical theater ever since I was a kid. My mother's a pianist, and my grandfather was an amateur theater director and stand-up comic. And I was an only child. And I loved attention. So from an early age, my family was teaching old musical songs.
Rachel Bloom -
I have noticed when you get a bunch of dudes in a room together, and you just have one woman or two women, the dudes will bro out. And the woman won't get heard.
Rachel Bloom
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I have such pride in furthering the American musical and using it as a way to tell story.
Rachel Bloom -
I love musical theater so much. When done right, I think comedy songs can be the most efficient form of joke delivery. Songs can be the most efficient and the best forms of conveying emotion. Music is universal. It's worldwide.
Rachel Bloom -
I'm a comedian, and I have my share of anxiety and depression; so do most of my friends. My humor tends to lie in the juxtaposition of extreme lightness - I'm a huge musical-theater fan - and extreme darkness. And so I really like playing with those because that's how I feel.
Rachel Bloom -
My grandpa was an amateur stand-up comic when I was growing up. ... He'd have me come up onstage with him to deliver a punch line: 'Why is your nose in the middle of your face?' 'Because it's the scenter.'
Rachel Bloom