Rachel Bloom Quotes
-
You create your own material to try to get it out there because a lot of people are multi-hyphenates, to use the corporate term. You're creating stuff to be in in order to showcase all your talents. I think the idea of using YouTube and the Internet, you don't have to wait around for a network to buy your show.
-
Everyone around me was super-cool and laid back and skinny and tan and volleyball-y, and I was just this neurotic kid who was singing 'Annie Get Your Gun.'
-
Fashion has always been a source of stress for me because I don't know how to dress myself. I'm short-torsoed with big boobs, and I don't really understand what a belt does. But you get on these shows, and people fit the clothing to you, and suddenly you learn, 'Oh, I should be wearing petite jackets.'
-
I lived with Ilana Glazer of 'Broad City.' She was my roommate for a year and a half. I was living with her just as she was creating and filming 'Broad City.' Both of us, and a lot of my friends, come from the Upright Citizens Brigade theater either in New York or L.A.
-
When you wrap up your self-worth with your talent, and suddenly you might not be the most talented, that's really scary. And I think that fear is in part why I turned to comedy because I had no expectations of being a comedian. It was exciting to get good at something where I wasn't afraid of not being the best.
-
While actors are great and awesome, writers literally create new worlds from scratch. What is sexier than that? Personally, I don't know why every last person out there isn't dating a writer.
-
I have my own show at 28 and a Golden Globe. So, yes, I face rejection, but I've also been very fortunate and understand how fortunate I am.
-
When a network passes, you really mourn the show. The official state of grief in Hollywood is saying you're taking around a dead pilot.
-
Making a musical television show was always the ultimate dream. But I really didn't think it would ever happen. Because who's going to make a musical television show?
-
For myself, the way that I learned comedy was doing it live for four years, and only after doing sketch for four years did I feel confident enough to be like, 'Okay, I feel good about starting to put stuff on the Internet where it lives forever.' As opposed to one time at a college sketch show where it bombs and we never speak of it again.
-
For lack of a better word, I've let love and infatuation emasculate me.
-
We're told all the time to give up everything for love. That's the Western notion of what love is - love conquers all, all you need is love. And there are so many different kinds of outside, conflicting pressures on women.
-
I grew up in Southern California, and I particularly did not fit in. I always felt like a fish out of water in my hometown because everyone was very happy, and I was thinking about death and anxiety, and not many other people around me seemed to be thinking about that.
-
My standards are based on shows I like, like 'Girls' or 'Arrested Development.' And they're all shows that are groundbreaking. I guess in the back of my head, I think, If you're not being groundbreaking, then what are you doing? If you're not being ballsy and honest and vulgar, then what are you doing?
-
I feel like a lot of serious music lives in generalizations - 'Love is a flower,' 'The sky is so dark' - but comedy lives in specifics.
-
Only children are weird. The only children I know, including myself, are either superweird or very talented and special or a mix of the two. I think there was always a certain independence and loneliness - I had a lot of imaginary friends as a kid.
-
All I listened to until age 18 growing up was musical theater. I liked the escapism of it.
-
I think in a lot of network television, everyone's vaguely Protestant and doesn't really go to church so they can be 'relatable.'
-
I've loved musical theater ever since I was a kid. My mother's a pianist, and my grandfather was an amateur theater director and stand-up comic. And I was an only child. And I loved attention. So from an early age, my family was teaching old musical songs.
-
I have noticed when you get a bunch of dudes in a room together, and you just have one woman or two women, the dudes will bro out. And the woman won't get heard.
-
My grandpa was an amateur stand-up comic when I was growing up. ... He'd have me come up onstage with him to deliver a punch line: 'Why is your nose in the middle of your face?' 'Because it's the scenter.'
-
I have such pride in furthering the American musical and using it as a way to tell story.
-
I love musical theater so much. When done right, I think comedy songs can be the most efficient form of joke delivery. Songs can be the most efficient and the best forms of conveying emotion. Music is universal. It's worldwide.
-
I'm a comedian, and I have my share of anxiety and depression; so do most of my friends. My humor tends to lie in the juxtaposition of extreme lightness - I'm a huge musical-theater fan - and extreme darkness. And so I really like playing with those because that's how I feel.