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As a young girl, if you do something funny - especially if you're Jewish - someone says, 'Oh, have you seen Gilda Radner?'
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Sometimes I write music, sometimes I don't. I think I'm just writing more what's close to my heart, and musical stuff is close to my heart, and it's fun to write, and when something's fun to write you don't think about what statement you're trying to make or what genre you're trying to hone in on.
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That quality is what makes women great collaborators; we understand it's a team effort. Even if it comes from society telling us to be polite.
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If I could create my own utopia, it would be this genderless world where we didn't have to talk about it.
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You see so many of these empowering songs where a woman saying, you know, I'm going to go out, I'm going to wear high heels, you know, short skirt or whatever. But the high heels are quite uncomfortable, and so how good about yourself are you really feeling walking out in high heels?
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One of the ways that my show has been most successful is when it's dealing with women's issues, like Spanx and plucking and having heavy tits. That's why it feels like, creatively, an advantage.
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Men aren't actively writing women to oppress them, men are writing what they know. I say you can be much better as a woman for women's rights if you just go up there and write your own material.
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Now women in comedy is a trendy topic, and people are hungering for women's voices in a way that they haven't before.