Edgar Schein Quotes
We do not think and talk about what we see; we see what we are able to think and talk about.
Quotes to Explore
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Hamas says in its charter they want to see a world without Israel. They want to obliterate Israel.
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Between two groups of people who want to make inconsistent kinds of worlds, I see no remedy but force.
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If you have a camera in the courtroom, there's no filtering. What you see is what's there.
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I could see that, if not actually disgruntled, he was far from being gruntled.
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Max Minghella is a very close friend of mine, and I talk to him regularly.
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I think any actor hopes to have variety and range in what they do. Everybody has a certain range, so you take on roles to expand that the best you can... See things a little differently and whatnot.
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We never see ourselves as others see us.
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Vulnerability is huge. I love to see that in characters. It's something I feel like a lot of my comedic heroes have always done.
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Portraying visual impairment is difficult. I can see what's going on, but I have to act like I can see nothing. And this can be quite a challenge.
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We who grew up with 'drop and cover' drills know all too well what wonders science can bring us, and we like to see the guy in the white lab coat suffer a little. Or a lot.
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You will always see big, chunky bags around me. I have always been fond of bags. Bags are extremely essential because I keep my books in them.
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Historical methodology, as I see it, is a product of common sense applied to circumstances.
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I see the first lady as another means to keep a president from becoming isolated.
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I see myself not only as a football player, but an entertainer and icon.
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Tact is the ability to describe others as they see themselves.
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I love to go shopping and see what catches my eye.
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What 'Deadwood' did was to talk about how capitalism started, how civilised society came in, and how that brought its own problems.
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I'm drawn to projects where I play these really complicated characters, but also where I can have some type of influence on affecting what we see as societal norms.
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Only votes talk, everything else walks.
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Yellow's more like, I'm not trying to be this sexy vixen or anything, obviously. I'm a very friendly person, and I literally do just want to be your friend. I think all of that is wrapped up in yellow. It seems to work. I like being in it.
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I was making big paintings with mythological themes. When I started painting black figures, the white professors were relieved, and the black students were like, 'She's on our side.' These are the kinds of issues that a white male artist just doesn't have to deal with.
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We tend to think of extremes of emotions as registering, for example, you have to cry or laugh or get angry. But for the most part, we find it difficult to read each other most of the time. If you walk through the street, most people are pretty difficult to read. But they're thinking inside.
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There's always been that theory that if a candidate can't run a decent campaign, he probably can't run a decent presidency. That might be true, although sadly I must admit that running a brilliant campaign does not translate into running a brilliant White House.
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We do not think and talk about what we see; we see what we are able to think and talk about.
