Elaine S. Dalton Quotes
Quotes to Explore
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Probably the biggest influence on my career was the late John Hersey, who, while he was at 'The New Yorker,' wrote one of the masterpieces of narrative non-fiction, 'Hiroshima.' Hersey was a teacher of mine at Yale, and a friend. He got me to see the possibility of journalism not just as a business but as an art form.
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Really, life is complicated enough without having a bunch of Senators deciding what we should do in the privacy of our own homes.
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I don't necessarily like being defined by my profession.
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I had no ambition to go to America and be in a TV show. It's not like I've rejected something or decided that I've found something better. Your life just takes you off in strange and different directions.
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Jehovah had nothing to say to Moses and the others about the care of the planet. He had plenty to say about tribal loyalty and conquest.
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I do seem to have a lot of family secrets in my novels. I guess I'm one of those writers who is often writing about the same sort of themes, but taking different angles on them.
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I'm excited about 'Luke Cage' with Michael Colter, who plays Luke Cage. I play the villain, Cottonmouth. It takes place in Harlem. It'll just be amazing for people to get to see an African-American superhero, which there weren't any when I was growing up.
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I really love it in Belfast. I always stay in the most bombed hotel, the Europa!
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I am making myself less frequent in the Lady World than I have been. I must keep up my dignity, or rather, I must attend more to politics and less to love.
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Incentive schemes, whereby people who have done the most good for humanity are rewarded 20 years into the future, would create the expectation that doing long-term good is valuable.
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Something my mom and I have always said to each other is: 'We're not here for interviews. We're not here to get your picture taken. We're here to make a difference, and this is our opportunity to.'
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There's a vegan and gluten-free bakery called BabyCakes that I love. They've got shops in New York and Los Angeles. Their stuff is amazing.
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I love the way they look. I love the way they feel. I love saying the word again and again: Jeggings! Jeggings! Jeggings!
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All I'm saying is that there are many different kinds of political theatre and many plays I greatly admire: 'Antigone,' 'Mother Courage,' 'All My Sons.' But, if I tackle a political theme, I have to do it in my own way.
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In Washington, there's always an effort to label people.
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I was at a public school until I was in sixth grade when I moved to New York.
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Now my tapestry's unraveling.
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In the show, we have recreated two sketches that my dad had, or pieces that my dad had developed. One that he had developed with my mother, one that Frank Oz had developed with my dad. And these are old pieces from the '50's and '60's, and we're going to develop more, too.
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I could depend a lot on my shaking, though I never shimmied vulgarly and only to express myself.
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You must consider, when reading this treatise, that mental perception, because connected with matter, is subject to conditions similar to those to which physical perception is subject.
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Subject matter is sort of overemphasized in the way books get discussed, I think.
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Our parts matter because we matter.
