Elena Ferrante Quotes
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The depressed don’t write books. People who are happy write, people who travel, are in love, and talk and talk with the conviction that, one way or another, their words always go to the right place.
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And this is how I see it today: it’s not the neighborhood that’s sick, it’s not Naples, it’s the entire earth, it’s the universe, or universes. And shrewdness means hiding and hiding from oneself the true state of things.
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For children parents are always a burden. But parents who draw too much attention to themselves are intolerable.
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Children don’t know the meaning of yesterday, of the day before yesterday, or even of tomorrow, everything is this, now: the street is this, the doorway is this, the stairs are this, this is Mamma, this is Papa, this is the day, this the night.
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Especially at night she was afraid of waking up and finding him formless in the bed, transformed into excrescences that burst out because of too much fluid, the flesh melted and dripping, and with it everything around, the furniture, the entire apartment and she herself, his wife, broken, sucked into that stream polluted by living matter.
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I felt that not only in my book but in novels in general there was something that truly agitated me, a bare and throbbing heart, the same that had burst out of my chest in that distant moment when Lila had proposed that we write a story together. It had fallen to me to do it seriously. But was that what I wanted? To write, to write with purpose, to write better than I had already? And to study the stories of the past and the present to understand how they worked, and to learn, learn everything about the world with the sole purpose of constructing living hearts, which no one would ever do better than me, not even Lila if she had had the opportunity?
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What I expect from a good story is that it will tell me today what I can't know from any other source but that story, from its unique way of putting something into words, from the feeling that it implies.
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I hated the idea that he knew everything about me while I knew little or nothing of him. I felt like someone who is blind and knows that he is being observed by the very people he would like to spy on in every detail.
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Such tensions without sense push us to formulate questions of meaning.
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I am the queen of spades, I am the wasp that stings, I am the dark serpent. I am the invulnerable animal who passes through fire and is not burned.
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May I point out something? You always use true and truthfully, when you speak and when you write. Or you say: unexpectedly. But when do people ever speak truthfully and when do things ever happen unexpectedly? You know better than I that it’s all a fraud and that one thing follows another and then another. I don’t do anything truthfully anymore, Lenù. And I’ve learned to pay attention to things. Only idiots believe that they happen unexpectedly.
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I would always be afraid: afraid of saying the wrong thing, of using an exaggerated tone, of dressing unsuitably, of revealing petty feelings, of not having interesting thoughts.
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Maybe we really are made of the same clay, maybe we really are condemned, blameless, to the same, identical mediocrity.
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I felt that not only in my book but in novels in general there was something that truly agitated me, a bare and throbbing heart . . . But was that what I wanted? To write, to write with purpose, to write better than I had already? And to study the stories of the past and the present to understand how they worked, and to learn, learn everything about the world with the sole purpose of constructing living hearts ...
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What a fuss for a name: famous or not, it's only a ribbon tied around a sack randomly filled with blood, flesh, words, shit, and petty thoughts.
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I couldn’t calm down. Was it possible that Mario should leave me like this, without warning? It seemed to me incredible that all of a sudden he had become uninterested in my life, like a plant watered for years that is abruptly allowed to die of drought. I couldn’t conceive that he had unilaterally decided that he no longer owed me any attention.
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To cause pain was a disease. As a child I imagined tiny, almost invisible animals that arrived in the neighborhood at night, they came from the ponds, from the abandoned train cars beyond the embankment, from the stinking grasses called fetienti, from the frogs, the salamanders, the flies, the rocks, the dust, and entered the water and the food and the air, making our mothers, our grandmothers as angry as starving dogs.
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Felt that if I ran away with the others I would leave with her something of mine that she would never give back.
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The blood spurted from his neck and hit a copper pot hanging on the wall.
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What’s got into me? Do I want children? Do I want to be a mamma, nursing and singing lullabies? Marriage plus pregnancy? And if my mother should emerge from my stomach just now when I think I’m safe?
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Then I felt as if my thoughts were cut off in the middle, absorbing and yet defective, with an urgent need for verification, for development, yet without conviction, without faith in themselves.
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In the most absolute tranquility or in the midst of tumultuous events, in safety or danger, in innocence or corruption, we are a crowd of others. And this crowd is certainly a blessing for literature.
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I still remember him fondly, there in the doorway. He was absolutely the first person to show me how comfortable it is to arrive in a strange, potentially hostile environment, and discover that you have been preceded by your reputation, that you don't have to do anything to be accepted, that your name is known, that everyone knows about you, and it's the others, the strangers, who must strive to win your favor, and not you theirs.
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I know I`m mean to tell you these things, but he is much worse than I am. He has the worst kind of meanness, that of superficiality.