Elizabeth Sims Quotes
I once had an editor advise me, as I was revising one of my early novels, to add more characters. I played around with the idea. As soon as I'd decided a few fresh faces and give them something to do, I realized that what my editor had really asked for was more plot. Ding. More characters equals more action.
Quotes to Explore
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I made a very slatternly mother, notably unkeen on housework, unaware that homes need to be cleaned now and then, and too often to be found with a cigarette in one hand and a drink in the other.
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I'm a plethora of stolen jokes and kitschy references.
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Workplaces still operate like it's 1962 and one person is always at home, and they are not very good at adjusting for the fact that a majority of women work and take care of children.
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The kind of thing I'm good at is knowing every politician in the state and remembering where he itches. And I know where to scratch him.
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I'm not trying to be a star on TV. I am who I am, which I hope comes out. I have a little bit of a different sense than most people know, and it takes a while to get used to it.
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All I can say is that I've always felt like a very old soul. When I was 3, I felt 60.
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When a noble life has prepared for old age, it is not decline that it reveals, but the first days of immortality.
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English is necessary as at present original works of science are in English. I believe that in two decades times original works of science will start coming out in our languages. Then we can move over like the Japanese.
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The great thing about journalism is that there is so much exposure to all kinds of people who can turn up later as characters, whether you intend it or not.
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I love working on films and I'd love to do some interesting work, but if somebody asked me, 'Would you like 'Human Target' to continue to be picked up?' The answer is 'Absolutely!' I love working on this show. I love playing Guerrero. I love seeing where it's going.
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I don't want to be in 'Expendables 5.' You can keep those kind of movies.
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I think if I had been writing fiction, where the work is entirely dependent on the writer's creativity and the potential directions the narrative might take are infinite, I might have frozen.
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Men are allowed to have passion and commitment for their work... a woman is allowed that feeling for a man, but not her work.
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I will show you fear in a handful of dust.
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I learned how important physical conditioning is. I learned how to focus on an objective in spite of all kinds of hazards. I learned how to deal with stress, too.
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There's a little more ego involved in these jobs than people might realize.
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The biases the media has are much bigger than conservative or liberal. They're about getting ratings, about making money, about doing stories that are easy to cover.
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This is near enough true bliss.
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One starts by seeing the person who poses, but little by little all the possible sculptures of him intervene... The more real a real vision of him disappears, the stranger his head becomes.
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It is not with respect to our convenience or discomfort, but with respect to their own nature that the creatures are glorifying to their Artificer.
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The power of forgiveness is huge; it is really big, and it can save this world.
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I was writing my Ph.D. in the late 1980s and was keeping an eye on what was happening in the world. It became obvious to me that Russia couldn't live without computers. I think I worked this out a year before anyone else. I started looking for people who could help import them.
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I became a copy boy. Not for long. I started writing stories.
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I once had an editor advise me, as I was revising one of my early novels, to add more characters. I played around with the idea. As soon as I'd decided a few fresh faces and give them something to do, I realized that what my editor had really asked for was more plot. Ding. More characters equals more action.
