Dan Hill Quotes
Quotes to Explore
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I used to watch 'Top of the Pops' when I was a kid and say 'Yeah!' or 'Boo!' at every single song. So there was nothing in the middle. You brutally put it on one side or another.
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When you're collaborating with somebody, there has to be a spirit of cooperation. There are a lot of times when you just can't persuade someone to write a certain type of song, either musically or lyrically.
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Sometimes the kids come up with better endings than the real story.
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With technology now, you can go in and sing a song, and for $100,000, you will sound flawless.
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We never thought 'Say Something' would be a holiday song. I'm still surprised that it's resonating at this time of year. Maybe that's why it's working so well - it balances out all the joy.
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I'm all about telling stories. I like people to picture the music video in their head when they're just listening to the song.
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I have breakups that I can credit to every song. In my twenties, I picked people who would create that dysfunction and drama, so I could draw upon it.
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I am very amazed by the runners out there because I like jog to the garbage can outside sometimes, and I get tired.
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'Float On' was a fine song, but I was still writing the lyrics on the last day we were working on it and deciding if it was something we wanted to put on the record.
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Sometimes you should just put down the computer, the phone, and walk away.
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I like finding that common point between another song and my music. It's like between people; you can be of religion or another, from this country or from another country, but we're all basically the same. It's just the same with songs.
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Sometimes there's cities where it's just hard to find healthy food. You just have to be prepared.
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When I was a little girl, my dream was just to hear my song on the radio. It was very fascinating to me, and I was like, 'How do I do that?' Now it's like, 'Oh my God, my song is on the radio!'
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I've been fascinated by the Internet from the very start. In 2001, I had made a funny black-and-white film called 'How to Dance Properly,' a short video of me dancing to a Madonna song. I sent it to 17 of my friends on a Thursday, and by Monday, one million people a day were logging on to view it.
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One way in which 'Friends' did resemble 'Seinfeld' is that it really found its audience over the summer of 1995 in reruns. That's when the main title song, 'I'll Be There for You', by the Rembrandts, exploded, too.
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I try to tell a story musically in a song.
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The monotony of a long heroic poem may often be pleasantly relieved by judicious interruptions in the perfect succession of rhymes, just as the metre may sometimes be adorned with occasional triplets and Alexandrines.
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I did a song in eight minutes. I thought everybody could write songs that fast. But working with a lot of them, they don't.
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Everyone from the pope to some hobo thinks, "I'm a human being. What am I doing here?" You can't get carried away with fame and fortune and all that. It's all nonsense. The whole pop-star side of it is all fun and good, but you don't get anywhere without putting in the hours. I get so fulfilled when we play a song live that we spent hours working on. It's all cool. Fame is something to have fun with, but you shouldn't take it too seriously because it is bollocks.
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I'm just a kid from Bronx who got lucky.
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The town where I grew up has a zip code of E-I-E-I-O.
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I fell in love with a civilian. Not an actress and not a famous actress at that. Because then the attention doesn't double - it grows exponentially. Because then suddenly everybody wants to be in your bedroom. But I don't really give them anything.
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So many people have said this, but it's true: 95 percent of what I do as a director is casting and getting people who can bear the load of what you're asking them to do and creating this emotionally safe environment.
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I'd sometimes do 50, 60 takes of song.
