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	I try my jokes onstage. The only way to really find out if something is going to work is to try it on stage, and I try to be careful and bookend something new with a strong bit before and a strong bit afterwards. But it's fun to run on virgin snow. I like that feeling onstage of creating new footprints and not knowing what's going to happen.   
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	Can you imagine being bilingual? Or even knowing anybody that was? I'm not even unilingual. Actually, I shouldn't say that. I don't give myself enough credit. I know enough English to, you know, get by. I can order in restaurants and stuff.   
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	I hate the phrase “One thing led to another”. What kind of lazy writing is that? Isn't it your job as a writer to tell me how that made this happen? “Adolf Hitler was rejected as a young man in his application to an art school. One thing led to anotherand the United States ended up dropping two atomic bombs on the sovereign nation of Japan”.   
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	I like to go on stage with a variety, with some stuff that's been around for a handful of years, some stuff from the last year, some stuff is from last week, and some stuff is brand spanking new. Those are the moments that excite me - when I'm coming up to a brand new bit. The more virgin the snow, the more fun it is to run on.   
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	You can poke fun at some pretty difficult circumstances, and it's just a way to pop the bubble. I don't do that thing onstage usually, but offstage sometimes I might.   
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	So when you do board, the first class people, they're sitting there. A lot of them are working as your boarding. They have computers out and calculators. They're looking up at you like, Hey, we're making money right now!   
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	Racquetball is the only sport where simultaneously you can be looking at the ball and it'll hit you in the back of the head at 90 miles per hour.   
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	I'm actually kinda quiet off stage, a lotta people don't realize that. I was at a dinner party recently, a bunch of people that I don't know, one guy talking plenty for everybody. "Me myself right and then I and then myself and mee, me, I couldn't tell this one about I cause I was talking about myself and Me- Meee- Mee- Me- Me!" Beware the Me monster.   
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	I try to be careful not to put the cart before the horse. I try not to create comedy for other comedians to like. I want everybody to like it. I want audiences to like it, but I also want comedians to like it. I'm selfish. I want everybody to laugh!   
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	Why are people getting on elevators shocked to find people getting off elevators?   
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	I don't sit down with a goal of writing. I read books or magazines. I watch TV. I go to the doctor. I get on airplanes. I live a normal life and sometimes I'll notice something or read things or experience things.   
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	I'm honored that other comedians like what I do. That means the world to me. But at the same time when I'm on stage I'm not just trying to make the comedians laugh - I'm also trying to make the audience laugh. I want to make everybody laugh.   
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	I think comedy is a good way to deal with anything. I hear about people in the hospital who are ill, and they use humor to help them through it. I think it's a great remedy for many things.   
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	I wasn't expecting to really draw in respected comedians but it's going to happen along the way and I'm truly honored by that.   
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	I don't know. I'd be a lot better off if I would've studied more when I was growing up, you know?   
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	As long as I can make that audience one thing, one unit, then I'm okay with it. But, sometimes, the bigger the audience, the weirder it gets.   
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	I think the most horrible name for a crime has to be manslaughter. ... "I slaughtered a man! Just like a pig! Put him on a spit and put an apple in his mouth!"   
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	I don't know what in the hell's going on with cranberries, but they're getting in all the other juices. Whoever the salesman is for cranberries is doing a great job. He's showing up everywhere. Hey, what do you got, some apples? Put some cranberries in there. We'll call it cran-apple and go 50-50. What do you got grapes? How about cran-grape. What do you got mangos? Cran-mango. What do you got pork chops? Cran-chops. Why don't you back off, cran-man. Why don't you take your sales trophy and have a vacation.   
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	If Einstein was so smart how come people only call you 'Einstein' when you do something really stupid ?   
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	A lot of the kind of comedy that I do comes out of real human moments. For them to work, they have to be truthful kinds of things that people in the audience can go, "Yes, I've experienced that myself!"   
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	Politicians have a lot to deal with these days. It's a different world. You know who I feel bad for? Arab Americans who truly want to get into crop dusting. Could be their life long dream and every time they ask for a pamphlet, all hell breaks loose.   
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	I wanted to do the comic strip. I tried to get it syndicated, and I sent some examples to a syndication company, and they sent me a rejection letter! I wasn't smart enough at the time to realize you shouldn't let rejection letters stop you. I thought that rejection letter meant I was not allowed to be a cartoonist in this world, so I put the rejection letter down and said, well, I'll be a stand-up comedian.   
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	I'm capable offstage of having some dark, twisted thoughts but the kind of things I like to do onstage are just more conceptual and I don't even think of them as being clean. I don't sit down and think, "Man, I'm going to come up with some lily-white comedy!" They're just things that I like to talk about, and then at the end of the day you think, "Well, I guess that was clean" but it's not the focus.   
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	Superhero power... I probably would just want to fly. I definitely would not want to be able to see through walls. I think walls are there for a reason. People put them up for a reason. You don't want to be looking through them. That would only cause nothing but misery and angst to know what's happening behind people's walls.   
