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I hate the phrase “One thing led to another”. What kind of lazy writing is that? Isn't it your job as a writer to tell me how that made this happen? “Adolf Hitler was rejected as a young man in his application to an art school. One thing led to anotherand the United States ended up dropping two atomic bombs on the sovereign nation of Japan”.
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So when you do board, the first class people, they're sitting there. A lot of them are working as your boarding. They have computers out and calculators. They're looking up at you like, Hey, we're making money right now!
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You know what's fun? You pick somebody at random, like out of the phone book, and send them about 100 'Just Because' cards. They can't even ask you why you did it.
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I don't sit down with a goal of writing. I read books or magazines. I watch TV. I go to the doctor. I get on airplanes. I live a normal life and sometimes I'll notice something or read things or experience things.
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I don't always see humor in things. Especially when I smash my pinky toe into a coffee table leg in the middle of the night. But sometimes I'll see things, or experience things, that make me go, "Huh, maybe that's a bit."
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The only way I'd want to do something in television would be if it was about how I think as a comedian. I'd need to be able to be a creator. That's what I enjoy - I enjoy coming up with comedy, so it'd be very difficult for me to be sitting in a room and have somebody come in and say, "Here's your script! Learn these lines!" That's not fun. At least not for me.
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I try to be careful not to put the cart before the horse. I try not to create comedy for other comedians to like. I want everybody to like it. I want audiences to like it, but I also want comedians to like it. I'm selfish. I want everybody to laugh!
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I think comedy is a good way to deal with anything. I hear about people in the hospital who are ill, and they use humor to help them through it. I think it's a great remedy for many things.
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Racquetball is the only sport where simultaneously you can be looking at the ball and it'll hit you in the back of the head at 90 miles per hour.
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I'm actually kinda quiet off stage, a lotta people don't realize that. I was at a dinner party recently, a bunch of people that I don't know, one guy talking plenty for everybody. "Me myself right and then I and then myself and mee, me, I couldn't tell this one about I cause I was talking about myself and Me- Meee- Mee- Me- Me!" Beware the Me monster.
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Why are people getting on elevators shocked to find people getting off elevators?
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I wanted to do the comic strip. I tried to get it syndicated, and I sent some examples to a syndication company, and they sent me a rejection letter! I wasn't smart enough at the time to realize you shouldn't let rejection letters stop you. I thought that rejection letter meant I was not allowed to be a cartoonist in this world, so I put the rejection letter down and said, well, I'll be a stand-up comedian.
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I think the most horrible name for a crime has to be manslaughter. ... "I slaughtered a man! Just like a pig! Put him on a spit and put an apple in his mouth!"
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I'm capable offstage of having some dark, twisted thoughts but the kind of things I like to do onstage are just more conceptual and I don't even think of them as being clean. I don't sit down and think, "Man, I'm going to come up with some lily-white comedy!" They're just things that I like to talk about, and then at the end of the day you think, "Well, I guess that was clean" but it's not the focus.
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Superhero power... I probably would just want to fly. I definitely would not want to be able to see through walls. I think walls are there for a reason. People put them up for a reason. You don't want to be looking through them. That would only cause nothing but misery and angst to know what's happening behind people's walls.
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Relevance is kind of a weird thing. If one does topical material, it makes sense to want to be relevant. But if someone talks about donut sprinkles, it's not quite as important. Unless the U.S. Supreme Court makes a decision outlawing donut sprinkles.
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I don't know what in the hell's going on with cranberries, but they're getting in all the other juices. Whoever the salesman is for cranberries is doing a great job. He's showing up everywhere. Hey, what do you got, some apples? Put some cranberries in there. We'll call it cran-apple and go 50-50. What do you got grapes? How about cran-grape. What do you got mangos? Cran-mango. What do you got pork chops? Cran-chops. Why don't you back off, cran-man. Why don't you take your sales trophy and have a vacation.
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I'm trying to do things I have never done. Like I recently went to 3 different ballets. And I loved trying to learn how to like those a little bit.
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Politicians have a lot to deal with these days. It's a different world. You know who I feel bad for? Arab Americans who truly want to get into crop dusting. Could be their life long dream and every time they ask for a pamphlet, all hell breaks loose.
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I don't know. I'd be a lot better off if I would've studied more when I was growing up, you know?
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A lot of the kind of comedy that I do comes out of real human moments. For them to work, they have to be truthful kinds of things that people in the audience can go, "Yes, I've experienced that myself!"
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I always hate having to use the equipment after these huge buff guys who move, like, the entire rack of plates. Then I get on, and move two plates, you know like: CLANK! CLANK! "I'm the two plate guy!" CLANK! CLANK! "Anyone wanna spot me?" CLANK! CLANK!
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If Einstein was so smart how come people only call you 'Einstein' when you do something really stupid ?
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When you're onstage, it's a communication technique when you make people laugh. You're communicating. You're communicating with other human beings and when they laugh you know that you're connecting. Laughing is an honest reaction and it's something that I can trust, and I love that feeling of knowing that I connected.