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How come they don't think you can handle a new story out of the blue on the TV news? They gotta make a little lame segue. "Hey, that's a big lotto jackpot! Speaking of lotto, there was a lot o' crime in the city today."
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The funnest jokes for me to tell are the ones that are the newest. So I'm just constantly motivated to keep my eyes and ears open and have new stuff.
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I just tend to think about everyday things for my onstage act. Actually you know what I like to talk about just the absolute most - the more mundane the subject matter, the more interesting it is to me.
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I try to be careful not to put the cart before the horse. I try not to create comedy for other comedians to like. I want everybody to like it. I want audiences to like it, but I also want comedians to like it. I'm selfish. I want everybody to laugh!
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Every comedian works differently. Some comedians might do just observational stuff and they don't do anything personal, and other people.. everything they do is personal and they don't do any observational stuff at all. There's no right or wrong, it's just that everybody picks their own approach.
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I wasn't expecting to really draw in respected comedians but it's going to happen along the way and I'm truly honored by that.
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As long as I can make that audience one thing, one unit, then I'm okay with it. But, sometimes, the bigger the audience, the weirder it gets.
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You see weird things driving... I've never understood log trucks. Sometimes you'll be out on the highway, you see two big giant trucks loaded up with logs, and they pass each other on the highway... I don't understand that. I mean, if they need logs over there... and they need 'em over there, you'd think a phone call would save 'em a whole lot of trouble.
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Sometimes you'll play, like, a large venue - maybe an outdoor venue or something - where it's so big that you can see all of the disinterested people. You see the audience, but then behind the audience you see people eating ice cream, going for a walk.
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I'm honored that other comedians like what I do. That means the world to me. But at the same time when I'm on stage I'm not just trying to make the comedians laugh - I'm also trying to make the audience laugh. I want to make everybody laugh.
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Can you imagine being bilingual? Or even knowing anybody that was? I'm not even unilingual. Actually, I shouldn't say that. I don't give myself enough credit. I know enough English to, you know, get by. I can order in restaurants and stuff.
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"Ladies and Gentlemen, we're about to begin boarding. If we could ask for your cooperation, please stay seated until you row has been called." ... That's what they say - but somehow, by the time it comes out of the speaker, it sounds like, "Everybody up and rush the door! Everybody up and try to squeeze your big fat butts in the small gate door area! Immediately! ... Do whatever you have to do to get on board. This is the last helicopter out of Vietnam!"
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I am happy doing standup so I don't ever want to stop doing it. But I wouldn't mind venturing off and doing other things that are creative.
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Hooked on Phonics worked for me.
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I was at the breakfast table this morning and I read in the newspaper that more and more adults are living at home with their parents. That surprised me, I was like Mom did you read this?
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The ultimate objective of comedy is to get a laugh, so if you can get a laugh off the fact that you did not get a laugh, then you've kinda saved the moment. Other professions don't have that luxury. You don't want to hear a brain surgeon say, "Man, am I so stupid! I cut on the wrong side of your head!!"
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The bigger the show, the weirder it is.
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It's hard to program a computer to make jokes. The brain needs to do something here; the brain needs to come up with something bizarre to make something funny.
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A formula for comedy is comedy equals tragedy plus time. A difficult or uncomfortable situation takes place, and then you laugh about it later down the road.
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I like the honesty of standup comedy. People don't fake laugh. If they're truly laughing at you, you know they like you.