Fernando Pessoa Quotes
The house clock, place certain there at the bottom of things, strikes the half hour dry and null. All is so much, all is so deep, all is so dark and cold!
Quotes to Explore
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I'd love to be 'People Magazine''s Sexiest Man Alive, but I think that that's a ways off. I have to stop wearing sweat pants, and then we'll work on that.
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I had a serious childhood illness - sort of like spinal meningitis - that led to a three-month hospitalization. Afterward, I couldn't be insured because of a pre-existing condition.
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Yes, because when you're in love, you are shy.
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I feel like I've cheated. I never knew what to do. I was never a good enough painter to earn a living, and so I drifted into the theatre, and I've had a successful life. I feel guilty that I've never done a day's work in my life!
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Like so many families, we were dealing with limited means. We weren't poor at all, but we had some challenging times financially. When my stepdad got laid off... we were really trying to find our footing for a couple of years.
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To supply people for ages in camps makes no sense... you have to rebuild that cabana that they rent out to tourists on the weekend. They need help getting their fields repaired and their boats repaired.
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Where love is, there God is also.
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I like the dark undertow of grime, and it gets me aggressive. You need that aggression.
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Power is of two kinds. One is obtained by the fear of punishment and the other by acts of love. Power based on love is a thousand times more effective and permanent then the one derived from fear of punishment.
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'Heroine' is about a declining and imbalanced superstar - a very brave and bold role. I wanted to test whether I could carry a role like this. I have given 200 per cent to this role. She's a very complex character, very aggressive, manipulative and bold, yet she's very fragile.
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I love Adele; she's a timeless, classic beauty. I think she's beautiful. She's just a real woman.
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The thing is that pictures are everywhere. The question is what we don't see, and why don't we see so much. I just see it.
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Flattery corrupts both the receiver and the giver.
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Sculpture is something you bump into when you back up to look at a painting.
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It's so great to see a woman dressed in jeans and a lace-up boot with an extraordinary jacket. It's a moment where you do want to mix high and low, and it's not so much about a head-to-toe designer look.
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I'm a very political person, and I think things through clearly, even when I was 18 years old.
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I love horse racing, I play golf, and I love travelling.
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The biggest competition is myself. I am not looking to follow others or pull them down. I'm planning to test my own boundaries.
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Nothing ever goes to plan. As soon as you are OK with that, everything is much easier.
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Our posturings, our imagined self-importance, the delusion that we have some privileged position in the universe, are challenged by this point of pale light. Our planet is a lonely speck in the great enveloping cosmic dark.
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My favorite room in the house is the living room. We have two big couches, six recliners and over 20 pillows. It's a really comfortable place to hang out with my family.
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All greatness in style begins, I imagine, with such respect, deep and passionate enough to produce a humility which will not assert itself at the expense even of inanimate things: out of which submissiveness a desire to serve is born, in disinterested accuracy toward the object, whatever it may be.
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My songwriting process, and maybe loads of other people's, is just this sort of smashing together of emotions and stuff to make some music. It's kind of simple and really complex at the same time and, as you can see, incredibly hard to explain.
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The house clock, place certain there at the bottom of things, strikes the half hour dry and null. All is so much, all is so deep, all is so dark and cold!
