Ernst Ludwig Kirchner Quotes
Is such a street scene as the blue prostitutes not a picture of fantasy? Of course, only the accusation is really present. But how nice, how powerful, and how removed from nature is the design. The danger of being caught up in the representational did not exist for Kirchner he is writing about himself, in the third person. Instead he thought too painterly for that. The graphics and paintings of the 'Streetscenes' show best where purely painterly, one could say non-representational, feelings converged.
Quotes to Explore
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My father got me involved in the game when I was four years old.
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When I write, I create really absurd situations which become false because I am after the joke.
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I liked 'Scream of the Banshee' because it was a real challenge. I thought, 'How am I going to pull off this character?' But, I also thought, 'Oh, man, I'm going to go for it.' He's got all the defects of character that an actor loves to play. So, I had a really great time.
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I will do today what others won't so I can do tomorrow what others can't.
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Food doesn't necessarily have to suck in order to be healthy. It doesn't have to be terrible to be healthy anymore.
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Our approach to banking is very different from the traditional banks or even some of the new banks. We do not necessarily go out and write single-cheque, large-ticket loans.
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A movie is about human beings, about humanity.
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We shall heal our wounds, collect our dead and continue fighting.
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Overhead will eat you alive if not constantly viewed as a parasite to be exterminated. Never mind the bleating of those you employ. Hold out until mutiny is imminent before employing even a single additional member of staff. More startups are wrecked by overstaffing than by any other cause, bar failure to monitor cash flow.
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I was very aware of Jeff Buckley. My brother actually bought me The Mamas And The Papas and Jeff Buckley for my birthday when I was in my early teens.
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Humility is an attribute of every good Hindu.
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I don't know, if somebody doesn't tell me how would I know?
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My childhood dream was to study mechanical engineering. After reading 'The Mysterious Island' - which I read 25 times as a boy - I thought that was the best thing a person could do. The engineer in the book knows mechanics and physics, and he creates a whole way of life on the island out of nothing. I wanted to be like that.
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Gay culture is in a coming-out process of its own. From out of the closets in the '60s, the culture moved onto the disco floors of the '70s and through the hospital wards of the '80s and onwards to the streets.
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I can imagine no more comfortable frame of mind for the conduct of life than a humorous resignation.
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We could have a budget that brings Americans together.
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I like semi-torn-down places where I could get nestled in and get something done without anyone bothering me.
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The wise through excess of wisdom is made a fool.
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Then I repeated these words to my spirits: 'Leave me be; give me peace; and let me do the work of my life. I will never forget you.' Something about that incantation was particularly appealing to me. 'I will never forget you'-- as though one had to address the pride of the spirits, as though one wanted them to feel good about being exorcised.
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Religion as a vital issue is dead except on paper, and whatever beauty-baiting the future may witness will be the work of greed and trade, and not of honest cosmos-facing.
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The more anger towards the past you carry in your heart, the less capable you are of loving in the present.
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It is obvious that any rather non-color, monochromatic design is safe, easier, more generally restful and with life being the hurdy-gurdy that it is, more and more of us prefer and interior giving the maximum response.
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Everybody who does not live in a prostitute's bed and on a diet of cocaine snow is called an ascetic nowadays.
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Is such a street scene as the blue prostitutes not a picture of fantasy? Of course, only the accusation is really present. But how nice, how powerful, and how removed from nature is the design. The danger of being caught up in the representational did not exist for Kirchner he is writing about himself, in the third person. Instead he thought too painterly for that. The graphics and paintings of the 'Streetscenes' show best where purely painterly, one could say non-representational, feelings converged.
