Karl Friedrich Schinkel Quotes
Schinkel was not arbitrary in his use of historical modes but rather eclectic in the best sense of the word. He could search the past for its conspicuous successes using them both freely and discursively as the basis for a contemporary architecture.

Quotes to Explore
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The biggest thing is education for young chefs and how they should focus on one cuisine rather than trying to imitate too many. It's like art - you can see the cycles from many past artists and new artists being inspired by past artists.
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I don't like to travel as much as I have in the past, but it's good for my soul to get to pick, especially with these good musicians and these guys that play so well.
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I'm really obsessed with the past.
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Although Alchemy has now fallen into contempt, and is even considered a thing of the past, the physicain should not be influenced by such judgements.
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The unrecorded past is none other than our old friend, the tree in the primeval forest which fell without being heard.
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I don't want to be involved with an actor because I know how they are. I've had problems in the past being with guys who haven't had any success or haven't made as much money, and it's very uncomfortable.
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The past is what you remember, imagine you remember, convince yourself you remember, or pretend you remember.
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Something even minor I do is going to be reported because of things that have happened in the past. You have to be aware of that.
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I have made good judgments in the past. I have made good judgments in the future.
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Everyone sort of sees his own life and times as being ephemeral. One thinks that everything good or important that happened, happened in the past. But I think that seeing scenes that you are used to, but with the heightening effects of poetry, perhaps makes you value your life and times more than you might otherwise do.
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The West has demonstrated its ability in the past to project power and move troops to distant regions.
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I don't compare shows. It's very simple. I don't live in the past. If there's any secret to my longevity, it's living in the future. And a little bit in the present.
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In addition to a soaring stock market, 6.6 million jobs have been created since tax relief measures went into effect in 2003. Our deficit situation has also improved as tax revenues have increased at double-digit rates over the past two years.
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As a founder of two organizations that recruit top college graduates to expand educational opportunity, I've spent a lot of time examining what's at work in successful classrooms and schools over the past two decades.
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In my opinion, most of the great men of the past were only there for the beer - the wealth, prestige and grandeur that went with the power.
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Killing the criticizer, then, is part of our evolutionary past; listening in response to criticism is part of our evolutionary future.
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We had some adverse conditions in the '60s, in the '70s and the '80s. The agency has risen above that in the past and will rise above that again.
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Possessing these books has become all important to me, because I have become jealous of the past.
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I get letters from women, and they say, 'I love your Roman nose.' If I weren't on TV and I walked past that same woman, she'd go, 'Did you see the beak on that guy?
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A lot of the album is made of love songs I've written over the past three or four years that have lasted the test of time. It's probably the thing that connects the songs together other than the sound of my vocals.
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There can only be two basic loves... the love of God unto the forgetfulness of self, or the love of self unto the forgetfulness and denial of God.
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Ready or not, Tell yourself to jump
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There's so much of a desire in the entertainment industry for newness, a desire to build somebody up and then treat them as old news within six months. I think you'd be naive if you didn't try to hold on to your own way of doing things.
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Schinkel was not arbitrary in his use of historical modes but rather eclectic in the best sense of the word. He could search the past for its conspicuous successes using them both freely and discursively as the basis for a contemporary architecture.