Karl Friedrich Schinkel Quotes
Schinkel was not arbitrary in his use of historical modes but rather eclectic in the best sense of the word. He could search the past for its conspicuous successes using them both freely and discursively as the basis for a contemporary architecture.
Quotes to Explore
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The biggest thing is education for young chefs and how they should focus on one cuisine rather than trying to imitate too many. It's like art - you can see the cycles from many past artists and new artists being inspired by past artists.
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I don't like to travel as much as I have in the past, but it's good for my soul to get to pick, especially with these good musicians and these guys that play so well.
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I'm really obsessed with the past.
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Although Alchemy has now fallen into contempt, and is even considered a thing of the past, the physicain should not be influenced by such judgements.
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The unrecorded past is none other than our old friend, the tree in the primeval forest which fell without being heard.
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I don't want to be involved with an actor because I know how they are. I've had problems in the past being with guys who haven't had any success or haven't made as much money, and it's very uncomfortable.
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The past is what you remember, imagine you remember, convince yourself you remember, or pretend you remember.
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Something even minor I do is going to be reported because of things that have happened in the past. You have to be aware of that.
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I have made good judgments in the past. I have made good judgments in the future.
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Everyone sort of sees his own life and times as being ephemeral. One thinks that everything good or important that happened, happened in the past. But I think that seeing scenes that you are used to, but with the heightening effects of poetry, perhaps makes you value your life and times more than you might otherwise do.
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The West has demonstrated its ability in the past to project power and move troops to distant regions.
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I don't compare shows. It's very simple. I don't live in the past. If there's any secret to my longevity, it's living in the future. And a little bit in the present.
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In addition to a soaring stock market, 6.6 million jobs have been created since tax relief measures went into effect in 2003. Our deficit situation has also improved as tax revenues have increased at double-digit rates over the past two years.
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As a founder of two organizations that recruit top college graduates to expand educational opportunity, I've spent a lot of time examining what's at work in successful classrooms and schools over the past two decades.
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I haven't collected memorabilia. I am not a person who lives in the past.
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In my opinion, most of the great men of the past were only there for the beer - the wealth, prestige and grandeur that went with the power.
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There are always two parties, the party of the Past and the party of the Future: the Establishment and the Movement. At times the resistance is reanimated, the schism runs under the world and appears in Literature, Philosophy, Church, State and social customs.
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We cannot overstate our debt to the Past, but the moment has the supreme claim. The Past is for us; but the sole terms on which it can become ours are its subordination to the Present. Only an inventor knows how to borrow, and every man is or should be an inventor. We must not tamper with the organic motion of the soul.
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I've had so many bad auditions! I tell people all the time, there's differences, what makes an audition good or what makes an audition bad. Sometimes you're just off, and there's not a whole lot you can do about it.
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The international community lies at the center of the Obama foreign policy. Unfortunately, it is a fiction. There is no such thing. Different countries have different histories, geographies, necessities, and interests. There's no natural, inherent, or enduring international community.
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That which hits the fan tends to get flung in all directions.
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One [of the two ideas for PROOF] was to write about two sisters who are quarreling over the legacy of something left behind by their father. The other was about someone who knew that her parent had had problems of mental illness [and that] she might be going through the same thing.
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Schinkel was not arbitrary in his use of historical modes but rather eclectic in the best sense of the word. He could search the past for its conspicuous successes using them both freely and discursively as the basis for a contemporary architecture.
