Bun B (Bernard James Freeman) Quotes
I knew that Sylvester Stallone's involvement would outweigh everything else from the film. I think people went into Creed expecting a boxing movie and something that superficially ties Stallone in, but Creed was really well written.
Quotes to Explore
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I think, doing a first film, at some point you get halfway through, and you wonder, 'Is this is good enough to define who I am for the coming decade?'
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But the process of making a film is not glamorous. Certainly not my films.
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Film has to describe and show.
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I knew it was called 'Dunkirk,' Christopher Nolan was directing it, and it was a war film. That was all anyone knew.
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The notion of directing a film is the invention of critics - the whole eloquence of cinema is achieved in the editing room.
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Our feature film, 'Crouching Tiger, Hidden Dragon Two,' has a built-in fan base from the original film.
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I'm extremely particular how my look should be in a film.
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The film depends on the audience's belief in this relationship.
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How do I act so well? What I do is I pretend to be the person I'm portraying in the film or play.
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Female characters in literature are full. They're messy: they've got runny noses and burp and belch. Unfortunately, in film, female characters don't often have that kind of richness.
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I am the biggest geek and fan of film and TV, and I just go through phases.
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Compared with other Indian film composers, I only write about six movies a year. Others write up to 60.
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My name can raise money on a small-budget film.
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On the clothes front, I have a designer who sits with the director for each film to chalk out a look for me based on the script.
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I've only used my own voice about four times on film.
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I love moments in film where there's no dialogue, and somebody communicates something with a look that kills you. That's why I love going to the cinema.
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I despise the phony, fancy-pants rhetoric of professors aping jargon-filled European locutions - which have blighted academic film criticism for over 30 years.
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If the money's right, I'll do a film.
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It's very difficult to move yourself up bit by bit. It's like trying to eat an elephant for God's sake. I can do it. It's just I have to have it bite by bite, you know. It's possible. You can eat an elephant, but you have to do it bite by bite. You can't do it all in one go.
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The world is full of things that upset people. But most of us deal with it and move on and don't try and burn the planet down.
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Bolton School has a great tradition in the liberal arts.
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To toil for a hard master is bitter, but to have no master to toil for is more bitter still.
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Like so many children who read a lot, I begin to declare rather early that I want to be a writer. But this is the only way I have of articulating a different desire, a desire that I can’t yet understand. What I really want is to be transported into a space in which everything is as distinct, complete, and intelligible as in the stories I read. And, like most children, I’m a literalist through and through. I want reality to imitate books – and books to capture the essence of reality. I love words insofar as they correspond to the world, insofar as they give it to me in a heightened form. The more words I have, the more distinct, precise my perceptions become – and such lucidity is a form of joy. Sometimes, when I find a new expression, I roll it on the tongue, as if shaping it in my mouth gave birth to a new shape in the world. Nothing fully exists until it is articulated.
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I knew that Sylvester Stallone's involvement would outweigh everything else from the film. I think people went into Creed expecting a boxing movie and something that superficially ties Stallone in, but Creed was really well written.
