Dan Mazer Quotes
And then, movie-wise, I'm writing a couple of things. They're all comedies. It's the only way I know. I'm also being sent scripts, which is really nice, kind of off the back of this, so I don't necessarily have to generate my own stuff. I'm just looking for something that's explosively funny and relatable in equal measure.
Quotes to Explore
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I have no problem with violence, I have no problem playing horrible people.
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I've had the experience of having a book praised but then it doesn't sell. Or not praised but then it sells.
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I've been watching 'The Cosby Show' and 'Roseanne' a lot right now, and those work so well because they're not, like, jokey comedies; they are coming from real characters. We want our show to be like that. A family show.
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A lot of people who curate in the business, and curate the art, don't really have good artistic sense. They may know commerce, but they aren't savvy enough to know how to balance commerce and art, you know? They don't know how to satisfy both palates.
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The fact we don't have a lunar base has nothing to do with the technology. It has to do with public commitment and societal support.
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Whether it's through introduction of the right gut bacteria or direct modification of the genes of cows and pigs, I think we're going to have to introduce something like this into our livestock - a way to consume the methane rather than releasing it.
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Though social eugenics was discredited long ago, we still often think of the genome in quasi-eugenic terms. When we read about the latest discovery of a link between a gene and a disease, we imagine that we've learned the cause of the disease, and we may even think we'll get a cure by fixing the gene.
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There comes a point in nearly every book event I've done when a little feminist revolt stirs inside the crowd.
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I loved Judy Garland. I thought she was such a classic beauty. I thought she was so endearing and charming, and I loved her voice. She was such a dreamer, and I think I was, too - and I am.
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There can only be democracy when money is not allowed to be spent in Politics.
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It's very rare, as an actor, to be someplace - to have an address, so to speak.
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The thing I find really scary about ghosts and demons is that you don't really know what they are or where they are. They're not very well understood. You don't know what they want from you. So it's the kind of thing you don't even know how to defend yourself against. Anything that's unknown and mysterious is very scary.
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If you're a psychologist, you can instrumentally change peoples lives for the better. But you can only do that for about 300 people to maybe a thousand people - if you're really prolific and you're working really hard.
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Who buys French cars? Not me.
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Often the starting point for characters, for me, is finding a little, most minor detail, and I'll go from there.
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I keep pushing buttons and trying to grow as a person and as a filmmaker.
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I have worked very hard to shed away my chocolate boy image in order to get a tough look for this action entertainer. I am confident of my success and would love to dedicate the same to Director Balachandar sir.
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Madeleine Albright introduced herself to me. I talked to Henry Kissinger and Barbara Walters. And I asked Peter Jennings to write a note of encouragement to my son, Logan, a news anchor at the ABC affiliate in Palm Springs.
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Somehow, in the novel format, I don't really like to do upfront, ideological discussion. In my heart, literature remains a poetic and ambiguous medium. On the other hand, I trained as a documentary filmmaker in film school, so my films very much reflect reality and socio-political problems. They're less subtle I would say.
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After working for 14 years on Wall Street and growing up in a family with strong roots in small business, I know how important the entrepreneurial spirit is to attaining the American dream.
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Poetry begins in trivial metaphors, pretty metaphors, "grace" metaphors, and goes on to the profoundest thinking that we have. Poetry provides the one permissible way of saying one thing and meaning another. People say, "Why don’t you say what you mean?" We never do that, do we, being all of us too much poets. We like to talk in parables and in hints and in indirections — whether from diffidence or some other instinct.
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We still have so many cultures in which people are imprisoned and whipped and killed for writing what they think.
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And then, movie-wise, I'm writing a couple of things. They're all comedies. It's the only way I know. I'm also being sent scripts, which is really nice, kind of off the back of this, so I don't necessarily have to generate my own stuff. I'm just looking for something that's explosively funny and relatable in equal measure.
