Hari Kondabolu Quotes
I'm not like most comedians. I don't deal with just heckles - I'm also dealing with threats and anger. Here I am, a brown person on stage being quite blunt. I talk about white privilege; I talk about U.S. imperialistic practices; I talk about colonialism. I'm not saying things that are easy for people to laugh at.
Quotes to Explore
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If it's hard for Blue America to see Red America as anything other than a bunch of dumb, racist rednecks; it's hard for Red America to recognize that many minorities are legitimately worried about what a Trump presidency means for their family.
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The character I play is a wonderful compilation of things I hate about myself and things I love about myself and things that I've invented to make her even more interesting than me.
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I have the greatest love for the rituals of organised religion - the sense of community and belonging it can confer to people. But me, I'm more a questioner than a follower; not by whim or fashion, but as a decision painfully arrived at after much, much thought.
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It is the end. But of what? The end of France? No. The end of kings? Yes.
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There are times I think it might be nice to have deep-pocketed limited partners to provide me with some cushion. But I enjoy having no responsibilities except to myself, financially.
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Have you learned the lessons only of those who admired you, and were tender with you, and stood aside for you? Have you not learned great lessons from those who braced themselves against you, and disputed passage with you?
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For me, whenever I would see a lot of 'black films,' I didn't feel represented in it. I didn't feel connected to the characters or the situations or the humor.
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I don't say I was 'proceeding down a thoroughfare;' I say I 'walked down the road'. I don't say I 'passed a hallowed institute of learning;' I say I 'passed a school'.
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In India, there's a way of seeing life as a cosmic play. It's called Lila. I can watch my life, and I can see my guru playing with me.
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The one word that no politician will ever speak, is 'enough.' Enough.
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I don't want to mess with my face. So I'm becoming fluent in French so I can go to France and make French films when I'm 60.
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After 'A Suitable Boy,' I didn't write anything, not even a short story. I thought to myself: 'I ought to start writing.' But I can never force myself to write.
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I've played comedy before but not that much. I mostly do get drawn to darker material.
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A person standing in front of an audience without enthusiasm for his subject and his actions is disconnected from his spirit.
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One of the main lessons I have learned the last five years as Secretary-General is that the United Nations cannot function properly without the support of the business community and civil society. We need to have tripartite support - the governments, the business communities and the civil society.
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I was once invited to attend a private dinner for Senator John F. Kennedy. But it was a Saturday evening, and I passed. Had better things to do.
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I want to keep talking about my people and my country in my own language.
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I was willing to accept what I couldn't change.
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'The House Of Tomorrow' offered such a fantastic script. I couldn't believe that script - it was just so original and unique.
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How do you know that nonsense isn't a good thing? If human nonsense had been nurtured and developed for centuries, just as intelligence has, then perhaps something extraordinarily precious could have come from it.
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Well, the big products in electronics in the '50s were radio and television. The first big computers were just beginning to come in and represented the most logical market for us to work in.
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Before, I was terrified on stage. I only play guitar during the acoustic songs. After a while, you can elicit certain responses from the crowd, like Elvis.
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People have an idea that the preacher is an actor on a stage and they are the critics, blaming or praising him. What they don't know is that they are the actors on the stage; he (the preacher) is merely the prompter standing in the wings, reminding them of their lost lines.
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I'm not like most comedians. I don't deal with just heckles - I'm also dealing with threats and anger. Here I am, a brown person on stage being quite blunt. I talk about white privilege; I talk about U.S. imperialistic practices; I talk about colonialism. I'm not saying things that are easy for people to laugh at.
