Takashi Murakami Quotes
In Japan, I am famous in certain special circles - mainly as someone who is trying to break down and enlighten the conventions of Japanese art.
Quotes to Explore
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Art should be an oasis: a place or refuge from the hardness of life.
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I want variety. I certainly don't want any kind of hype if I can avoid it. I'm trying to play parts which are a little more out there, but I want variety, I suppose, because - like a lot of people - I'm easily bored.
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I am kind of the front man for a team of people behind the scenes who are working just as hard as me and are putting in just as much time to make this all happen. I'm not trying to be humble. I just want everyone to get credit where credit is due.
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I know so many people who are so much better at it than I am, and I think I'm a goofier person rather than a serious, dramatic actress, so I probably belong in comedy.
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You must not fight too often with one enemy, or you will teach him all your art of war.
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Sometimes a famous subject may even outlive his own obituary writer.
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I am in agreement with income-tax protesters that the tax, as commonly applied, is unconstitutional, unfair, and immoral.
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I am disillusioned enough to know that no man's opinion on any subject is worth a damn unless backed up with enough genuine information to make him really know what he's talking about.
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I am as passionate about the England team as anyone.
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I am very blessed.
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I am bullish on the global development. I am bullish on billions of people getting out of poverty.
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The most common form of giantism is a condition called acromegaly, and acromegaly is caused by a benign tumor on your pituitary gland that causes an overproduction of human growth hormone. And throughout history, many of the most famous giants have all had acromegaly.
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I have spent my life paying attention to my art form, developing my art form, worrying about my show and what I'm bringing to people, making sure that I give them a fine trade.
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I think magazines and interviews make celebrities into this bigger-than-life thing, but I've gotten bullied over trying different things with my makeup.
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I am extraordinarily fascinated by the future of technology. We are in the early infancy of technology, and we have an opportunity to guide how technology develops and integrates into our lives. I talk a lot about the 'invisible interface,' or the idea that we can utilize technology without being absorbed into a screen.
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I am quite fortunate, because I can still be quite incognito. If you go out looking for attention, then you'll attract it, but if you're just getting on with your life, particularly in London where everyone is engrossed in what they're doing, you can keep a measure of anonymity.
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I am not a gamer. Not since the days of Atari.
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What do we want our kids to do? Sweep up around Japanese computers?
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Our appreciation of folk art will strengthen our identities, our pride in belonging to a community. People trained in the creative use of their hands soon acquire skills, excellent craftsmanship which will be the most important measure of how well we can industrialize.
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People have their reasons for giving rides, all of them different. Maybe they hitched a lot when they were younger and now they're settled and comfortable they want to put back what they took out. Like a circular thing. Maybe they have charitable natures. Or maybe they're just lonely and want a little conversation.
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I have 17 full-time archivists working for me who put away in books all the diversity of artwork I do, from drawing to etching to monotypes to prints to lithographs.
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Every man bears something within him that, if it were publicly announced, would excite feelings of aversion.
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I always say that talent and capability is everywhere, all it needs is opportunity.
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In Japan, I am famous in certain special circles - mainly as someone who is trying to break down and enlighten the conventions of Japanese art.
