Gayatri Chakravorty Spivak Quotes
Deconstruction seems to offer a way out of the closure of knowledge. By inaugurating the open-ended indefiniteness of textuality-by thus 'placing in the abyss' (mettre en abime), as the French expression would literally have it-it shows us the lure of the abyss as freedom. The fall into the abyss of deconstruction inspires us with as much pleasure as fear. We are intoxicated with the prospect of never hitting bottom.
Quotes to Explore
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I really believe you can predict when someone has a great attitude, a real well of talent.
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All working parents should have paid family leave. That's one of many reasons I'm working to elect Hillary Clinton. She has a plan to guarantee workers - men and women - up to 12 weeks of paid family leave to care for a new child or a seriously ill family member.
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I am a writer because writing is the thing I do best.
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I was a commercial girl. In drama school, I was a mediocre model occasionally to pick up some extra cash, and because clearly I'm not six feet tall, and I had baby weight, I would mainly just would do promotional stuff.
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I'll say things that are serious and put them in a joke form so people can enjoy them. We laugh to keep from crying.
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Applause is the spur of noble minds, the end and aim of weak ones.
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I choose my words very delicately because I have a divided society.
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Now it would be as absurd to deny the existence of God, because we cannot see him, as it would be to deny the existence of the air or wind, because we cannot see it.
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And a third thing is the understanding of the Church as a community, a communion which is just a hierarchy but the people of God, whose servants are the priests and bishops.
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I have people who say, 'You should dress up like this, or you should dress more modest; you should cover up more.' And then, at the other end of the spectrum, you have, like, 'Why are you still wearing your scarf? You're in America, you know.'
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I like to post positive content, and I like to try and make people smile. That's why those videos are popular. I don't fake it.
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I am a fiscal conservative.
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I'm not going to change my game because I got hurt.
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I think the concept of polo that people had in the 1920s and the 1930s was much more accurate, when going to a polo match was seen as a great day out and great fun on a more popular level.
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I envision a day when a businesswoman will be having lunch, and then her phone will ring. When she opens it up, she will see an image of the latest Marc Jacobs coat that just arrived in stock. With a click of a button, she can purchase it and then find it waiting for her when she gets back to her office.
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There was a time when I was offered two episodes of 'Alias,' that show with Jennifer Garner which J.J. Abrams did back before he became the mega producer and super successful director. I instead decided I wanted to play this family guy on a short-lived UPN 'Second Time Around.' It starred Boris Kodjoe and Nicole Ari Parker.
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If we're going to reach a broader audience, we have to stop thinking about that audience strictly in terms of teenage boys or even teenage girls. We need to think about things that are relevant to normal humans and not just the geeks we used to be.
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Working on 'Big Give' was an opportunity that I felt compelled to do. It was my chance to share in showing people how they can give big in their own life, to send the message that giving goes way beyond the gift of money. We want to share that the best thing you can give is your time and understanding.
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Phones were created as social tools. Smartphones are especially good at being social, integrating text, voice, video and images in an endless number of apps that can serve a user's needs, and all without the need for a web-based social network.
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I learned the hard way how desperately primitive is the technology we have for monitoring the health of someone with a chronic illness.
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Artists often become vocal advocates of freedom of expression because we depend on it so heavily in our work. But it is an inalienable right that belongs to everyone on an equal basis.
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Doubt is not below knowledge, but above it.
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Deconstruction seems to offer a way out of the closure of knowledge. By inaugurating the open-ended indefiniteness of textuality-by thus 'placing in the abyss' (mettre en abime), as the French expression would literally have it-it shows us the lure of the abyss as freedom. The fall into the abyss of deconstruction inspires us with as much pleasure as fear. We are intoxicated with the prospect of never hitting bottom.
