Zadie Smith Quotes
For example, you have these grotesque, hilarious, profane ghosts in the book [Lincoln in the Bardo]. Even the concept of talking ghosts is, from an aesthetic point of view, grotesque. But you seem compelled by that risk in order to get to the other end of the equation.
Quotes to Explore
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We put more emphasis on who can drive a car than on who can be a parent. And I think there ought to be mandatory parenting classes starting in high school, and you should have to have a license to be able to be a parent to explain that you don't give alcohol to kids.
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Even complex passwords are getting easy to break if they're too short. That's because today's inexpensive computer chips have the power of supercomputers from the year 2000.
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From my point of view, I'm a totally normal person! Really! I have a family. I have kids. I have a house... I don't have a dog.
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I feel there is a big sense of accomplishment and achievement and self worth through what you do no matter what the job, no matter what you decide to dedicate your life to.
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Separate educational facilities are inherently unequal.
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The whole borrowing clothes thing is very unnatural for me. I don't feel comfortable with that. If you like something, I'd just give it to you rather than sharing it.
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The GOP is broken. They need a Bill Clinton moment with someone to figure things out. Let me just say - and I don't agree with his policies, so let me put a warning label on the side of the packet here - If George W. Bush had never gotten in the disastrous Iraq war, he was trying to modernize the party on a series of fronts.
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Your belief system tends to be a function of how you were raised. Being raised in the Midwest and in a relatively conservative household, my views were shaped by my upbringing, by my Christian faith.
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Redheads were particularly persecuted during the European witch trials of the fifteenth, sixteenth and seventeenth centuries. The colour was associated with the devil, and the pale skin which most redheads have was thought unnatural and deathly.
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I love the way girls in London dress; it's so different to the American 'blow-dry and immaculate grooming' thing.
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Even though I resigned as Papandreou's adviser early in 2006 and turned into his government's staunchest critic during his mishandling of the post-2009 Greek implosion, my public interventions in the debate on Greece and Europe have carried no whiff of Marxism.
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Dance has always been my number one. I started when I was seven years old and I've had the opportunity to work with some really amazing artists.
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I can never believe how much time and energy and money and talent and everything else is being poured into horrible ideas.
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When I was born, my parents - my mother especially - couldn't come to terms with that fact that they had another baby girl. I know these stories in detail because every time a guest visited, or there was a gathering, they repeated this story in front of me that how I was the unwanted child.
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I certainly love doing comedy and feel most comfortable near it.
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I feel like I've accomplished everything I could in the dunk contest. It would be hard for me to go back and outdo myself.
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I don't remember ever having writer's block. If I sit in there for four hours, I'll usually have something.
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I don't know much about football. I know what a goal is, which is surely the main thing about football.
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I write pretty much when I can. I used to be very particular about needing certain conditions for writing, but when I had children, I discovered that I was a lot more flexible than I thought.
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I have the New York Daily News to thank for the jeans controversy.
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It was then that I remembered the colour blue, the blue of the sky in nice that was at the origin of my career as monochromist. I started work towards the end of 1956 and in 1957 I had an exhibition in Milan which consisted entirely of what I dared to call my 'Epoque bleue'.
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My art became very public.
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It seemed to take Sirius an age to fall: his body curved in a graceful arc as he sank backwards through the ragged veil hanging from the arch.
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For example, you have these grotesque, hilarious, profane ghosts in the book [Lincoln in the Bardo]. Even the concept of talking ghosts is, from an aesthetic point of view, grotesque. But you seem compelled by that risk in order to get to the other end of the equation.
