George Sanders Quotes
Acting is like roller skating. Once you know how to do it, it is neither stimulating nor exciting.
Quotes to Explore
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I'm more interested in producing than acting.
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I started acting almost on a whim to help my music career.
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If I ever feel that acting is just soul-sucking and I don't want to do it anymore, I could stop.
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There are places where writing is acting and acting is writing. I'm not so interested in the divisions. I'm interested in the way things cross over.
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Acting isn't a singular profession, it is a collaborate profession.
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I was going to try to get into the creative writing program at Berkeley; it's just that the acting thing worked out.
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I took acting five times as seriously as anyone else. I just couldn't show it.
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I love acting so much that I have to have that as much as I have to have my time with my kid.
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I'm not really into method acting - the way I was taught was the good old-fashioned British way of just doing your research and getting on with it.
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I don't do method acting. If I play a farmer, I'm not gonna spend 3 weeks on a chicken farm. That's a bit too much for me.
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With modelling, you provide an image that is fake; with acting you have to provide an image that's real.
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As far as acting in films, there is not much out there that is very interesting to do. The ones that are interesting to me are independent films and they have trouble raising money. With people putting their money into blockbusters, there is not much left for the independents.
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First acting gig was playing a victim in 'America's Most Wanted.' The night the show aired, they caught the killer!
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It was really unusual to go from being in university for four years to all of a sudden acting every day. I'd never been able to do it exclusively like that. It was always sort of like my secret thing that I did privately.
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I did direct two short movies. I learned many things, and one of the things I learned was that I am not a director. It has to be visceral, and it's not for me. I feel much more comfortable acting.
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Acting doesn't feel good. It's not comfortable to feel all this stuff, it's not.
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If you can't get an acting job, then go backstage. Or take tickets.
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You spend enough time on set as an actor and it's great when a director was at some point an actor or understands acting. They're able to finesse performances out of you that a lot directors can't get.
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There's a fantastic, thousand-page book by David Thomson about [David O. Selznick]. Again, it's not the best argument or the best advertisement for his story, because most people aren't going to read a thousand-page book. But I feel like the rise and fall and the work [Mayer] produced - not just the movies, but the memos, the volume of writing - he's just so passionate, and that's really exciting.
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My aunt in Knoxville would bring newspapers up, which we used for toilet paper. Before we used it, we'd look at the pictures.
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On 'The Guiding Light' I enjoyed working with Jamie Goodwin and Ellen Parker, who played my sister. I loved working with Jerry Ver Dorn and Jay Hammer. I mean, there's some great fun people that I've really enjoyed.
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I was the one who was always calling people.
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Acting is like roller skating. Once you know how to do it, it is neither stimulating nor exciting.
