Christine and the Queens (Héloïse Adelaïde Letissier) Quotes
Quotes to Explore
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Relationships, it seems to me, are timeless. What works between two people always works; what doesn't is always troublesome. Over time, people learn - or not - how to negotiate what's difficult, but that doesn't mean the misfit has gone away entirely.
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I feel like, for me, different environments are very important to me creatively. I think it's my norm to be on the move.
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I try to talk about policy issues intelligently, I try very hard to avoid thought bubbles. I make sure my speeches are well researched and footnoted. I make sure I am not talking through my hat.
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Thoughts without content are empty, intuitions without concepts are blind.
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I've never been that guy who says, 'Ooh, I have to play King Lear'. First off, that'd be a disaster anyway. I tend to read something and see who's involved, and then know I want to be part of it. But I don't think I'm through with comedy. I still love to make people laugh.
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A man will turn over half a library to make one book.
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It should simply be an empirical matter whether the climate is changing or not and whether we're responsible. But the various sides of the debate have now become so tribal that it's no longer a matter of changing our views as more information comes in.
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I don't think I can play Mr. Bachchan.
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As an actor, you don't want to play a one-dimensional character.
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I started traveling by myself as early as 5 to see my dad. I'd go to Toronto or Los Angeles, depending on what show he was doing, but most often New York, and we would hang out, and he'd take me to museums and Broadway plays. The ones that had the biggest impact on me were the George C. Wolfe productions.
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I always had a very strong sense of independence. I really liked being able to buy my Alanis Morissette 'Jagged Little Pill' album. I wore that as a badge of honor. I love not having to rely on anyone.
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I was born in Jerusalem in 1939 to a poor family that shared a rented four-room apartment with two additional families and their children.
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Think of social media as the Internet. I can't think of anyone betting against the Internet in 2012.
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I was a victim of a stereotype. There were only two of us Negro kids in the whole class, and our English teacher was always stressing the importance of rhythm in poetry. Well, everybody knows - except us - that all Negroes have rhythms, so they elected me class poet.
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Think of God; attachments will gradually drop away. If you wait till all desires disappear before starting your devotion and prayer, you will have to wait for a very long time indeed.
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Even an independent label is looking for a hit, they're not looking for a record that's not gonna do well.
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Sin cannot be conceived in a natural state, but only in a civil state, where it is decreed by common consent what is good or bad.
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But when you work with the director and the real person who is playing opposite you, it changes everything. You are almost in a working session. I was very comfortable, and that's maybe what helped me to get the part.
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I miss having my mom and close friends around. Thank God for Skype and Face-Time, which keep me connected... but interacting digitally can't come close to the feeling of being hugged by my mom or getting together for a meal with my friends on the same table.
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I work with my brother Finneas, and he produces all of my music in his little bedroom in our house. We actually tried renting out a studio for a month when we were producing 'Don't Smile at Me,' but it was really hard there, and we ended up just doing it at home anyway.
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I'm really into old school music when hip-hop first came out with Common, A Tribe Called Quest, Queen Latifah, MC Lyte, and Run DMC. I'm really into that! Hip-hop these days isn't the same and doesn't have the same sound anymore. I'd rather listen to the old school hip-hop.
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When I have to promote things now, sometimes I realize that I had a movie in mind, but in the end, it's a vision of somebody else, so I have to promote their idea.
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The core of all the music I love is a good bass line and a good rhythm.
