Limahl (Christopher Hamill) Quotes
Quotes to Explore
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In terms of my involvement in 'don't ask, don't tell' and marriage equality and anti-bullying and social emotional learning in schools - these are all things that arise out of my relationship with the world and with my fans.
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A person's life is of their own making, and I take full responsibility for mine.
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If I have caused just one person to wipe away a tear of laughter, that's my reward.
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The best effort of a fine person is felt after we have left their presence.
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Madonna can still produce a catchy pop song, but she hasn't expanded her artistic vocabulary since the 1990s. Her concerts are glitzy extravaganzas of special effects overkill. She leaves little space in them for emotional depth or unscripted rapport with the audience.
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Attachment parenting demands not just certain actions you take with your baby but also certain emotional states to accompany those actions.
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I'm not normally the kind of person who holds on to grudges, I'm really not.
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A powerful person is equally cool with their flaws and things that aren't powerful about them at all.
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Anyone who knows me knows that I'm way more of a joker than I am a serious person.
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I was an optimistic person, really bossy, gregarious and outspoken.
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I'm exchanging molecules every 30 days with the natural world and in a spiritual sense I know I am a part of it and take my photographs from that emotional feeling within me, rather than from an emotional distance as a spectator.
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When it comes to accepting emotional support or affection, I'm a little guarded and hardened to that.
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For a person who promised hope and civility in politics, Mr. Obama has shown a borderline obsessiveness in blaming Mr. Bush.
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I was nine. I saw Orson Welles in 'Julius Caesar.' It was involving, emotional, imaginative. I've never forgotten it.
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A person is born with a liking for profit.
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And I think that George Bush really is a very godly person.
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I have always been a reserved and conservative person.
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A movie about a weak, vulnerable woman can be feminist if it shows a real person that we can empathize with.
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The genius of human society is in fact the ease with which alliances are formed, broken, and reconstituted, always with strong emotional appeals to rules believed to be absolute.
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We see that hyperactivity and reward areas are important when the bubble's rising. People getting caught up in it. We also see areas involving mentalizing, which means thinking about other people: Who's buying? Who's selling? Do they know something? We see emotional areas before the crash that indicate a sense of uncertainty or dread.
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When I'm working with pictures, with images and storytelling, it's really about the sentiment and the emotional trajectory of the characters. That's really where the music lives, I think. That's what I'm focused on; that's what I respond to most strongly.
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Publishers, editors, agents all have one thing in common, aside from their love of cocktail parties. It's an incredible taste and an ability to find and nurture authors.
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'St. Trinian's' is probably taking it to the extreme, but in essence it's saying, 'If you be yourself, you can do whatever you want,' and it's sort of a fun message.
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I am an emotional person, but I am not embarrassed by that.
