Taiye Selasi Quotes
I wrote fiction during my entire childhood, from age 4 to 18, and started writing plays when I went to Yale and Oxford.
Quotes to Explore
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I grew up playing golf, and if I were ever good enough to play professionally, I would get to travel the world while playing a sport I love.
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To me, a critic is some loser who has no idea... someone with an opinion. We all have opinions. No offense, but what makes them dictate what is cool and what is not.
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I remember someone once said there is a practical aspect to my designs, and I remember thinking, 'That doesn't sound so creative,' but that is actually the truth. There is a practicality to it. I don't design just to design. There is a reason and, hopefully, an interesting reason behind it - that is where my creativity comes in.
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I've been a victim in every film I have done so far. It would be nice to play someone who doesn't get killed for once. Then again, I am getting really good at screaming and fake tears.
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On the contrary, I'm a strong believer in the necessity of imperfection coming into the film.
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It gives me immense pleasure to be trustworthy, faithful, and true – to have the kind of romantic bond that inspires this.
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I started off singing in church as a child. The sound of voices coming together, that was my first moment of touching something outside of myself.
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Perhaps it would be better not to be a writer, but if you must, then write.
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Every designer needs a story. Mine is all about glamour because my family has been in the business of glamour for three generations. My grandfather Shamshuddin Khan started his embroidery and fabric-making business in the 1930s.
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Your subconscious's goal is to recreate unresolved childhood issues and then hopefully mend them.
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No writer of a portion of the Bible was perfect. It was the direct and miraculous operation of the Holy Spirit that what they wrote is without mistake.
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Our marine terminals are invaluable commerce infrastructure, not only to our country but also for the many foreign manufacturers who sell primarily in the U.S. market.
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When I was young, I was extremely scared of dying. But now I think it a very, very wise arrangement. It's like a light that is extinguished. Not very much to make a fuss about.
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The concept of two people living together for 25 years without a serious dispute suggests a lack of spirit only to be admired in sheep.
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My dad is often horrified by what I've spent my money on.
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In computer circles, any unencrypted data is known as 'cleartext.'
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I think that designers and architects need to educate the people who don't quite know what they do and make a strong case for why it's valuable and why it changes the game. I think waiting for people to come around to it just won't do.
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My idea for 'BoneMan's Daughters' came from the loss of my own daughter when she left home to live with a monster at age 18. I wanted to throttle the man, but she was in love, so all I could do was hope, pray and cry.
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Come to think of it, the way I play is like a drum machine- very mechanical.
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I feel it's better to be loved and respected. If people fear you, you can get killed. If you're feared, nobody likes you. If you're feared nobody treats you the right way. You never get the right answers. You ask somebody if this is good, they'll tell you it's good even if it's bad. Nobody wants to be feared. You want to be respected.
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I do need to be told when I'm going wrong. No one's acting can be an exact, 100 percent science.
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Writing has always been the primary way I make sense of the world.
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See, we started out with a foundation of blues. But then we added people like Miles Davis and John Coltrane to the mix and gave rock n' roll a much more complex structure. It made it possible to play more than three chords.
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I wrote fiction during my entire childhood, from age 4 to 18, and started writing plays when I went to Yale and Oxford.
