Patrick Macnee Quotes
I missed so much of the Swinging Sixties by working. From 1961 to 1969, I got up at 4.30 A.M., a car came for me at 5.30 A.M., and I was taken to our studio at Teddington or Elstree, and we filmed until I got home at 9.30 P.M., five days a week.

Quotes to Explore
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Music is made up out of these building blocks. Studying how these blocks go together and what they consist of and the math of how it works - it's all the same stuff; it's just different aesthetics that we're talking about.
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I get upset about what is taken as great literature and what is cute and exotic.
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I do not take steroids. I never have. It's sad to me that people want to point fingers. I don't do that. That's not me. I wouldn't feel like a human being.
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All of my books are based in some way on my personal experiences, or the experiences of members of my family, or the stories kids would tell me in school.
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You can spend an entire day walking around in New York, whereas in L.A., it always ends at some point because you have to find a way to get home.
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If you were to ask me what I want to do – I don't want to be a celebrity, I want to make a difference.
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I'm in this band to give volume to various struggles throughout the world. To me, the tension in this band is a minimal sacrifice.
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Stay humble. Always answer your phone - no matter who else is in the car.
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People who work 44 hours per week make 50 percent more than people who work 34 hours a week.
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I have some security that could protect me against provocations but of course there are more terrible actions that could not be stopped by any security.
Garry Kasparov -
Don't you stay at home of evenings? Don't you love a cushioned seat in a corner, by the fireside, with your slippers on your feet?
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I never felt I had the kind of relationship with Magic that I could just pick up the phone and call him at home.
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I like the fact that Jack is always wearing a tie except when he's on a mission. I do like it when I get out there and dress up, or dress down, a little bit.
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Home, nowadays, is a place where part of the family waits till the rest of the family brings the car back.
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My director is usually aware of what works for me and what doesn't. For 'Srimanthudu,' I have to give full credit to director Koratala Sivagaru for handling my character the way he did.
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I'm a career prosecutor. I have been trained, and my experience over decades, is to make decisions after a review of the evidence and the facts. And not to jump up with grand gestures before I've done that. Some might interpret that as being cautious. I would tell you that's just responsible.
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One preacher turned me on, another turned me off.
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So if you got your chrome, you need to stay in the zone And get a vest for your mutha fuckin dome Cause it's on like a dog with out his bone I'm in it to win it and No Limit is my home (for life for life).
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When we started, we knew the show was going to be hit or miss, and we needed to find a core audience to really make us survive. And I think we've been able to do that.
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But at the same time I went down into the mines with working miners who are still young men, younger than I am, who are aware that their working life is coming to an end and they feel suddenly cut off.
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You have to know your strengths and tell yourself you're the best.
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Reality had always been something of an unknown quantity to me.
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I missed so much of the Swinging Sixties by working. From 1961 to 1969, I got up at 4.30 A.M., a car came for me at 5.30 A.M., and I was taken to our studio at Teddington or Elstree, and we filmed until I got home at 9.30 P.M., five days a week.