T. S. Eliot Quotes
Playwriting gets into your blood and you can't stop it. At least not until the producers or the public tell you to.
Quotes to Explore
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During one or two summers, as well as part-time during the school year, I worked for a small Canadian company which developed electrical instruments for military planes.
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A first date should be elegant. In comfortable surroundings. A place with excellent food, where you can talk easily and get to know each other.
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After the success of my first album and the success of 'Flow Joe' kind of faded, I was struggling to make some money and make ends meet.
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The way children are taught football doesn't encourage skill; the focus is on other areas.
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I've been described as a smart actor because I've attended college. Or I've been called an artsy jock. And I am thinking, 'So, are actors supposed to be dumb?'
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Male critics and men in the publishing industry want from their women writers what they want from their wives. I'm interested in presenting characters that are more challenging, threatening, complicated and unpredictable.
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I was excited when King's College announced a scholarship for students who are in developing countries.
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Everyone is born with genius, but most people only keep it a few minutes.
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On the other hand, the American public possesses a great resilience and strength, and good risk communication strategies can tap into and even amplify those assets.
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I'd been ready too, because before Olympic Games, I wasn't compete in big competition like, World Championship, like European Championship. I just competed in national competition.
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I was going to go to college and graduate and move to New York and do the Broadway thing. That's where a lot of my influences vocally and writing come from. Then I did some covers, and towards the end of college, I saw it was a path I could take. I wrote more pop music.
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Mohammed was not an apparent failure. He was a dazzling success, politically as well as spiritually, and Islam went from strength to strength to strength.
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I've been in Washington ever since 1981, trying to get out!
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It's hard because I think I fall into this in-between space where there's something that's innately feminine about me, and there's also something that's kind of androgynous. I carry myself somewhere in between, and I think my music lends itself to that as well.
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This flattery has been rather slow in coming. I think all of sudden late in life now I'm getting some credit for what I've done. Which is gratifying, but it's kind of a little late.
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I don't hit it very far; I don't overpower a golf course, but I think I'm a pretty decent putter. At Augusta National, putting is premium.
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I'm not looking to go out there and make a rhythmic Timbaland track.
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I'd done some acting stuff when I was younger, around age nine.
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I think that if you can convey a kind of a complexity, a mystery, a truth in stillness, that, to me, is really worth striving for, and I totally agree with Michael Fassbender in that less is more. If it's going on inside you, the camera will find it.
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I love playing a character who has an adversary she can go one-on-one with.
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I wanted to write songs that would play themselves on stage, songs that sweep you through their current.
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When you have no one to answer to, vendetta as investment strategy is as legitimate as anything.
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I try to find a subject that is interesting to me and to the viewer both. If I can't, then I stop right there.
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Playwriting gets into your blood and you can't stop it. At least not until the producers or the public tell you to.
