T. S. Eliot Quotes
Quotes to Explore
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I loved every place I lived and traveled. London, Paris, Rome, Venice. I fell hard for Central America and Mexico. In each country, I had fantasies that I could live there.
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Funny is an attitude.
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I think, living in the city, it's so easy to forget that you're attached to the earth.
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For me, songwriting starts with a melody. When a musician plays a chord progression, either the words and vocal melody come to me, or they don't. That's how I determine who to write with. It works, or it doesn't.
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To be honest, I think, for me, the power is always with art. The art world clearly couldn't happen without art.
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My mother had a premonition and she felt that hairdressing would be very very good for me.
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Years ago, when I was writing westerns, other writers who were friends of mine wanted me to collaborate with them. And it just didn't work.
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When you write, you don't have the social constraints of having people in front of you, so you talk about abstract matters.
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I hope to make movies that are so small they don't need to make anything to be profitable.
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The first man to compare the cheeks of a young woman to a rose was obviously a poet; the first to repeat it was possibly an idiot.
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When we read fiction, we want to get outside of ourselves and are able to see from a perspective we haven't seen through before. That can be very powerful.
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France is a fantastic country. It's between the Anglo-Saxon and Latin cultures. We have some of the Anglo-Saxon rigor, and some of the Latin quirkiness.
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I've always wanted to make Australian art interesting. To get a different audience watching art documentaries would be great.
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In the final analysis this congressional race is always going to be a close race, whether there's a presidential race or governor's race or not. But is this a better year? Yes, this would probably be a better year.
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And I'm not an actress. I don't think I am an actress. I think I've created a brand and a business.
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Painting what I experience, translating what I feel, is like a great liberation. But it is also work, self-examination, consciousness, criticism, struggle.
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I am a just man.
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The mainstream sort of presentation of the civil rights movement was not something that I directly inherited.
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I think with Shakespeare you can be required to do absolutely anything at the turn of a sixpence - suddenly you go into a battle, suddenly you utter something passionate.
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My fans want me to talk to them. And even if they want to be critical, I want to hear what they've got to say.
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For every action there’s a reaction. And also, for every action there’s an equal and opposite criticism.
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We need to work to keep from getting rusty.
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The last thing one discovers in composing a work is what to put first.
