T. S. Eliot Quotes
Quotes to Explore
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I loved every place I lived and traveled. London, Paris, Rome, Venice. I fell hard for Central America and Mexico. In each country, I had fantasies that I could live there.
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Funny is an attitude.
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I think, living in the city, it's so easy to forget that you're attached to the earth.
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For me, songwriting starts with a melody. When a musician plays a chord progression, either the words and vocal melody come to me, or they don't. That's how I determine who to write with. It works, or it doesn't.
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To be honest, I think, for me, the power is always with art. The art world clearly couldn't happen without art.
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My mother had a premonition and she felt that hairdressing would be very very good for me.
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Years ago, when I was writing westerns, other writers who were friends of mine wanted me to collaborate with them. And it just didn't work.
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When you write, you don't have the social constraints of having people in front of you, so you talk about abstract matters.
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I hope to make movies that are so small they don't need to make anything to be profitable.
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The first man to compare the cheeks of a young woman to a rose was obviously a poet; the first to repeat it was possibly an idiot.
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When we read fiction, we want to get outside of ourselves and are able to see from a perspective we haven't seen through before. That can be very powerful.
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France is a fantastic country. It's between the Anglo-Saxon and Latin cultures. We have some of the Anglo-Saxon rigor, and some of the Latin quirkiness.
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I've always wanted to make Australian art interesting. To get a different audience watching art documentaries would be great.
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In the final analysis this congressional race is always going to be a close race, whether there's a presidential race or governor's race or not. But is this a better year? Yes, this would probably be a better year.
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And I'm not an actress. I don't think I am an actress. I think I've created a brand and a business.
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Painting what I experience, translating what I feel, is like a great liberation. But it is also work, self-examination, consciousness, criticism, struggle.
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The mainstream sort of presentation of the civil rights movement was not something that I directly inherited.
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Cambridge was the place for someone from the Colonies or the Dominions to go on to, and it was to the Cavendish Laboratory that one went to do physics.
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I am, after all, a thriller writer. I routinely delve into the darkest chambers of the human heart. I've written about murder, kidnapping, depravity, horror, violence, and disfigurement.
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I've spent a lot of time trying to understand how all the big cosmetics companies get away with the placebo science and unscientific claims.
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Growing up in Vegas, over time you get to see shows like Tom Jones, Wayne Newton, I mean, The Rat Pack ran Vegas way, way back, and I'm a huge fan of that whole era and vibe.
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Few people in contemporary art demonstrate much curiosity. The majority spend their days blathering on, rather than trying to work out why one artist is more interesting than another, or why one picture works and another doesn't.
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This latter day work is spiritual. It takes spirituality to comprehend it, to love it, to discern it. Therefore, seek the spirit in all you do. Keep it with you continually. That is our challenge.
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The last thing one discovers in composing a work is what to put first.
