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I acted in high school and studied at the British American Drama Academy in Oxford for one summer. I minored in theater, and I was always acting growing up and stuff, but really, I was just more interested in the comedy of it all. So for me, it's always comedy, and then acting is just one medium of comedy.
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If there is one thing that makes me unique, it's that I riff a lot.
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I'm a Nietzschean scholar. I've read an immense amount about nihilism and existentialism.
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My father really told me, seriously, if you want something, you can have it, but you may have to work harder than anyone else around you.
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I'm interested in morality and mortality, and 'Deadpool' kind of has all of these themes.
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I don't prepare for anything very well. I am not a good actor. I don't read scripts.
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Steve Martin's comedy albums are so ridiculous.
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I'm a stand-up. I'm never worried about getting my next role. That's never distressing to me.
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I feel a strong affinity to Ke$ha and Katy Perry and a lot of these women who are really pushing the girl power femme fatale thing. It's fun, and it's unapologetic, and they tell women they can do whatever they want, and that's true, and that's a message that I want to carry, to tell girls they can do whatever they want.
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I told the Mucinex people, 'You picked me because I always sound sick'. They were like, 'Well, it doesn't hurt'.
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I laugh at absurdity hardest, then stories, then observations, then bearded men on roller skates.
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It doesn't matter to me if I'm in love with my performance, so I watch all of my performances to understand and learn from them and figure out what's working and what's not. And I see the movies that I'm in in the theater a lot.
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It's the comedy that guides me. The acting and all that stuff comes second. It's equally important, but I just try to do that as best as I can.
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The moment in which you make somebody laugh, you're only doing it to make them laugh and be happy. Then afterward you can be like, 'Oh, I just want the attention. I feel so good that everybody's listening to me and I got the approval that I need.'
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I don't sit and write stand-up material; I come up with an idea onstage.
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I think by now if people hire me, they know I'm going to improvise. I'm an improviser by trade.
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'Yogi Bear' changed my life in ways that I can't explain because it's not a full feature on me. 'Yogi Bear' – there's everything before 'Yogi Bear,' and there's everything after 'Yogi Bear.' Like a major car accident, or the birth of Christ.
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There's nothing I would love more than to host an awards show where I'm nominated for an award - that is so funny to me.
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Funny is as funny does, and funny puts on a walrus mask and slowly gyrates in a mall food court. I laugh at absurdity hardest, then stories, then observations, then bearded men on roller skates.
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Gentrification always makes me laugh. People complain about traffic. Live in Atlanta! You can't have it both ways; you can't live in an incredible city and not expect it to get congested.
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When you get into a car, and there's trash, or it's dirty, or one of the hubcaps is off, you're like, 'Come on, dude.' Every woman likes the confidence and self-respect that says, 'I get oil changes. I look after my vehicle.' That's what I recommend: Act like you don't care, but take care of your body.
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I consider everybody who takes themselves seriously to be a little bit off. And Silicon Valley seems to be the most effusive about how important their contributions are to society.
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Hosting is a thankless job.
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Some people in Silicon Valley are as bad as the 'Koch Brothers', you know? Don't be mistaken. For every some of those, though, you get people who come up with something like 'Leafly', which does what 'Yelp' has done, but in a much more specific way, and it's important because it's the dawn of this new era.