D'Arcy Carden Quotes
Quotes to Explore
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I always watch the work I do.
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I always knew would be some sort of artist, but didn't know what.
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Every time - well, not every time, but in celebration of a great review or a great accolade, I take the team of Daniel to Katz's Deli for lunch. We take the trip on the subway, we were like 40 or 50 people, and we go in the back room and have a pastrami sandwich.
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I think that when somebody loses a bet, they tend to sometimes confuse their motives in rooting and enjoying the game because if you lose your bet, even though the team you're rooting for wins, you have a potentially conflicted outcome.
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I always separated sports and my personal life.
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Nobody ever went broke underestimating the taste of the American public.
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It was always fun to skate with Paul Wylie and Paul Martini.
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I'll dispose of my teeth as I see fit, and after they've gone, I'll get along. I started off living on gruel, and by God, I can always go back to it again.
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I think that tennis has been in a place for many years without any change. Davis Cup and Fed Cup has always been a very exciting platform for players because it is such an individual sport, and we get to play a team competition. We love being part of a team.
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The look of being too deliberately dressed, with everything cautiously matching, always bores me.
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Fixity is always momentary. But how can it always be so? If it were, it would not be momentary - or would not be fixity.
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I think a balanced team of men and women makes better decisions. That's one of the reasons why I was prepared to run for deputy leader.
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I have to say goodbye to things in order to take on bigger things that I've always wanted to do.
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We always make music and continue to make hits.
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Success didn't spoil me, I've always been insufferable.
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It was the best job I ever had. I just left because my whole team was leaving and the new guys were coming.
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I've always thought George Carlin was brilliant.
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I have observed that society in general always seems to honor its living conformists and its dead troublemakers.
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There are movies that I love tonally, that I would love to emulate. Anything from Wes Anderson or the Coen brothers is right in my wheelhouse, as something that I would aspire to. I love that kind of indie, fun, colorful, funny, sweet, heartfelt but dark film.
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When I am working on a problem, I never think about beauty but when I have finished, if the solution is not beautiful, I know it is wrong.
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I grew up in a reform Jewish family in St. Louis. Our idea of Judaism was no bar mitzvahs and a Christmas tree that had a skirt at the bottom embroidered with the names of my grandparents.
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I would rather have a small part in a really great movie than a big one in one that I'm not too psyched about.
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Most musicals are informed by very rigid archetypes. If you get a very sophisticated mind writing them, you sense something else, but it's a folk-art form, really, at its best. At different times, I've tried to push against it as much as I possibly could, but ultimately, it is a folk-art form.
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I always dreamed about getting on TV and being part of a team - a funny ensemble.
