Laurie Anderson Quotes
. . . I wrote a letter to Thomas Pynchon asking, Can I have your permission to try to make an adaptation of your book? And I had no idea that he would answer me, because he's pretty elusive. But he did send a letter back that said, Yes, you can do that - as long as the only instrument in the opera is a banjo. I thought, That's an interesting way of saying No.
Quotes to Explore
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One of the things I wonder is whether it's good that the whole free model makes a lot of people listen to more of your music. I'm wondering if it devalues it, it becomes disposable, because you can get it so easily.
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I pass by that it is very culpable to be facetious in obscene and smutty matters.
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A stronger yuan could lead to greater Chinese asset accumulation in the U.S. and elsewhere.
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Separate educational facilities are inherently unequal.
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Redheads were particularly persecuted during the European witch trials of the fifteenth, sixteenth and seventeenth centuries. The colour was associated with the devil, and the pale skin which most redheads have was thought unnatural and deathly.
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To the soldier, luck is merely another word for skill.
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As I watched bookstores close, I began to wonder how that felt for the owners. Owning a bookstore was their dream and now they're struggling and seeing those dreams fall apart.
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While we know gambling is part of the industry in Las Vegas, we're not going to make it all that easy for you to pick up a ticket, a gambling ticket, on your way into the arena.
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Contrary to what many Westerners believe, Islam has a rich tradition of secular painting in spite of its ban on images. It is only in religious rituals that the use of pictorial representation is totally prohibited.
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I hold this to be the highest task for a bond between two people: that each protects the solitude of the other.
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From a spinner's perspective, in India it was never easy for me to judge where to stand: how far forward, how far back, because on Indian wickets the ball does not carry as much as abroad. That is true of slip fielding in general. I wouldn't say only for spinner – even for a fast bowler, that holds true.
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The best shows succeed because they tap into a national conversation.
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My son smelled like a cinnamon bun, and that smell entered into my biological being, and it became an imperative that I keep him alive at all costs, so then there's this monster - this tiger or lion - that comes forward in you to protect them. And it doesn't stop. It doesn't matter if they become men or women.
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Culture follows power.
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A business like an automobile, has to be driven, in order to get results.
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The butterfly counts not months but moments, and has time enough.
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You have to be really careful with what you put out on social media and who you're talking to online.
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If a big number of young pupils felt secularism was an attack on them, it was because the term had been misused and deformed in the public debate for years by the extreme-right and the right as an attack on Islam. The term had often been misused to point out how Muslims were different to others, and that is clearly problematic.
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Young people should be helped, sheltered, ignored, and clubbed if necessary.
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I have increasingly steeled myself to criticism, but it still can sting, especially when you feel that it is unfair - or that they are judging my book by its cover or by preconceived notions.
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In America there's a tendency to write the same book over and over because that's what sells. So in a way, my success in America has come at the expense of what I do. I haven't sold out, and I haven't taken the popular road to writing a best-selling book. I've really bucked the system. So it was necessary for me not to go and find the easy fans, the ones who want something digestible and fast with a happy ending that they can read over and over again no matter how many different books it is. I had to find fans who really wanted to think. Worldwide they all have that in common.
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I grew up in the small town of Greenfield Center, New York, which is in the foothills of the Adirondacks not far from the city of Saratoga Springs. It is a place I love, close to the forests and the mountains.
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Obviously, the young dancers lack a certain air of maturity.
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. . . I wrote a letter to Thomas Pynchon asking, Can I have your permission to try to make an adaptation of your book? And I had no idea that he would answer me, because he's pretty elusive. But he did send a letter back that said, Yes, you can do that - as long as the only instrument in the opera is a banjo. I thought, That's an interesting way of saying No.
