Laurie Metcalf Quotes
Quotes to Explore
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I want you to feel happy and enjoy the theatre of my life the way that I do. No matter what happens with my music and wherever I go - that heart of that glamorous girl in New York will never be gone.
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The last time I had to make a career decision, I was 17. I could have gone to Ballet Theatre or National Ballet of Canada. There were options. But as I became exposed to the Robbins repertoire, I realized that there was a living genius in the house.
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There's such a sense of theatre in getting glammed up; it's like putting on a play or short film.
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It's a scary thing going into the workforce with a $50,000 debt and you've been trained as a classical theatre actor. There's always a depression in the theatre.
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The cool thing is that, unlike film, the theatre roles for women get better and better as you get older.
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I started in theatre, and for me, it was all about transformation. You transform into the character that you're playing.
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I started in theatre. I went to the Boston Conservatory and majored in musical theater.
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I did theatre all my life and then went into the film world. I then kind of segued into TV land, which is a different experience.
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I'd like to be for cinema what Shakespeare was for theatre, Marx for politics and Freud for psychology: someone after whom nothing is as it used to be.
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There wasn't anyone in my family who was involved in the theatre. I saw a few amateur plays when I was growing up, but I can't think of anything that happened or anybody in particular who inspired me; it all came from within.
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We live in a free world, so everyone can say whatever.
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I grew up in a very small town and didn't realise till later that I had an adventurous side. When I went to theatre school at 18, I came into my own and let loose.
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I grew up doing musical theatre in Orlando, Florida. When I was 14, I just happened to be in the right place at the right time - a deliveryman heard me singing and offered to deliver my demo tape to Sony Music. I was just really lucky.
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I went to Paris for a year in 1986 to study theatre; there was a lot of clowning around, buffoonery and fencing. It was then that my own style kind of blossomed.
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I want to do theatre and film and direct my own things and develop.
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I didn't go to drama school to be a musical theatre performer. I enjoyed it, but I didn't go to do that; I went to be an actor.
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My advice to young actors is probably to do some theatre; definitely do that. I keep running into these actors who have never been on stage, and it's invaluable for an actor. What you will learn about yourself is huge.
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I hope it's always going to be a mix between theatre, film and radio. I've been very lucky living in London that you can do all that - in New York and L.A., there's more of a structure for film in L.A. and theatre in New York. In London, our industry is smaller, but it produces brilliant work all in one place.
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The entrance into Jerusalem has all the elements of the theatre of the absurd: the poor king; truth comes riding on a donkey; symbolic actions - even parading without a permit!
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Given the fact that we are in a capitalist society, we still do not want to overlook not only what a corporation produces and its profitability but also how it impacts the environment, touches human life and whether it protects or undermines the dignity of the human person.
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The freedom you feel when you're actually in control of your own music is fantastic.
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You might get some serial killers who are born with a chip missing, but for the most part I don't think anyone is born bad.
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I've heard my father say that the man is to be the priest, the provider, and the protector of his family. He's the priest because he is the spiritual leader, monitoring and growing the spiritual temperature of his family.
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I've loved every minute of every hour I've spent doing theatre.
