Weird Al Yankovic (Alfred Matthew "Weird Al" Yankovic) Quotes
In the '80s, I was putting out an album virtually every year, I think mostly based on fear - that if I didn't, people would soon forget about me.
Quotes to Explore
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For most people, it is enough for the world to know that they aspire. The world does not ask what their aspirations are, trusting that those aspirations are for the best and greatest things. But with regard to the Negroes in America, there is a feeling that their aspirations in some way are not consistent with the great ideals.
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It is time Australian Muslims stop being treated as negotiable citizens in their own country. It is time people stop 'tolerating' us, presuming some right to decide if we have a place in our own home.
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People realize this man knows what the hell's going on and nobody else does.
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People must be protected from prejudice against their person. But people cannot be protected from prejudice against their ideas - because otherwise we're all done.
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There are so many more women and men who deserve opportunities. People of color. Period.
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I want to prove that if you write in strict meter and rhyme about subjects people care about, they will buy poetry.
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After building most of Mint.com's prototype by myself, I talked to anyone and everyone I knew about Mint. It's counter-intuitive, because you might fear someone will steal your idea, but it's the only way to make connections, be sure you're on the right track, and provide a solution for an audience broader than yourself.
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'Pyrapshere' began as a sketch for a variety show I produced called 'A Pretty Good Show.' My partner, Andersen Gabrych, and I expanded it into a full-fledged faux-religion, including a list of 21 tenets, sacred symbols, testimonials, and even a clothing line. Many people believed it was a real thing and wanted to join.
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Are people like Tom Cruise in touch with their public? I doubt it. Footballers are more like the rock stars of yester-year: they are box office.
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We know that the elements in play in a show like 'Confederate' are much more raw, much more real, and people come into them much more sensitive and more invested, than they do with a story about a place called 'Westeros,' which none of them had ever heard of before they read the books or watched the show.
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You can make more friends in two months by becoming interested in other people than you can in two years by trying to get other people interested in you.
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As an assistant operations officer for a helicopter task force in Iraq, I saw my fellow Guardsmen and soldiers risk life and limb to maintain diesel fuel supply lines.
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Fashion is such an octopus. You're connected to so many people: suppliers, pattern makers, production teams, marketing teams, vendors.
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No, I am a crier and if people ever saw me privately they would be shocked at what a bowl of mush I am underneath it all.
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It's not the people in the South who create racial problems - it's the people who are governing.
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There was no welfare state, and people had to rely mainly on the Poor Law - that was all the state provided. It was very degrading, very humiliating. And there was a means test for receiving poor relief.
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There are people out there who want me to fail, who want Jude to fail, who want our relationship to fail.
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I didn't necessarily have a total idea when I was writing the movie of where everything was going. I just wanted to have really realistic dialogue and write like people I knew talked. I tried to keep it very real.
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I have this theory that there are two kinds of people in the world, people who stop at a traffic accident and those that just drive by. If I see a traffic accident, I am going to stop. I do notice. I don't think that makes me a good or bad person, or anybody else better or worse.
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We didn't really want to be an overnight success as that brings with it its own problems.
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I think, with 'Pride,' I always knew that was something amazing because of the people who were in it and the story and the way it was written and who was directing. Anyone in that cast knew it was special.
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Art is always in the eyes of the beholder. Only posterity has the right to point out our mistakes.
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In the '80s, I was putting out an album virtually every year, I think mostly based on fear - that if I didn't, people would soon forget about me.
