Karamo Brown Quotes
Literally, I look back on it now, and I often think to myself, 'Karamo you should have done better.' But that's the thing: when you're in that dark space, you can't do any better. And it's for people around you to say, 'You know what? I need to check in with you and be there to support you.'
Quotes to Explore
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Sometimes I try a Mai Tai. It's so fruity. It's a little embarrassing, but I like it.
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For me, if I'm just killing time, I play solitaire. I'm also guilty of playing Snood. I like games where I can shoot balls and match colors.
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I had an Indiana Jones fedora that I loved. I don't know what happened to it. I don't know where it went. Wish I had it back. Whoever's got it, you suck.
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For decades, Iran has covertly worked to develop a nuclear weapons program and has repeatedly violated its international obligations.
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If I were to work with my mom, I probably would not want her to play my mom. That would get too real.
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To be honest, as an actor, job security is not a trait.
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And they just saw me on that and - from the time I was 11 until I was 12, I guess. And then when I had just turned 13, they asked me if I wanted to tour with Johnny Cash back East.
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The military is a place of discipline, technical proficiency, and personal sacrifice for the greater good.
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Women are sacred.
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Everyone asks me if I'm the princess or if my brothers beat me up. The younger ones I can deck pretty easily. With the older ones, it's harder.
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Everyone comes with dreams and illusions and promises. Everyone wants quick deals. They don't want to invest.
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Life is an adventure, it's not a package tour.
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You cannot tailor-make the situations in life but you can tailor-make the attitudes to fit those situations.
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I'm a terrific mimic, and you can feel my funny bone.
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Being a celebrity is a business.
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Designer clothes worn by children are like snowsuits worn by adults. Few can carry it off successfully.
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Every industry has slack times, and everyone has bad days at work.
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I probably spend the most time with Toews: we have the same schedule, and we're roomies on the road; we sit next to each other. We do a lot of promotions together.
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I've always been kind of a mutt creatively. I started off in journalism, and I've actually done more police and procedural shows than I've ever done science fiction shows. I was on 'Murder She Wrote,' I was on 'Walker, Texas Ranger,' I was on 'Jake and the Fat Man.'
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In the 1960s, and stretching back to the 1930s, it was felt by many economists that easy money is a reliable way to increase employment.
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You know, when I first went into the movies Lionel Barrymore played my grandfather. Later he played my father, and finally he played my husband. If he had lived I'm sure I would have played his mother. That's the way it is in Hollywood. The men get younger and the women get older.
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As a producer, I try to bring as many nice people as I can to insure that there's no screaming, there's no shouting, there's no bullying. The more of those kind of people that you can bring together, the better the experience everyone has on set.
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Besides my fast and slooow songs, I further divide my work into three main song types: the ballad or story song, the variation on a theme (saying the same thing over and over and over again) song, and the weird song. It's important to have weird songs, but I find that a little weirdness goes a long way.
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Literally, I look back on it now, and I often think to myself, 'Karamo you should have done better.' But that's the thing: when you're in that dark space, you can't do any better. And it's for people around you to say, 'You know what? I need to check in with you and be there to support you.'
