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In the course of my movies, the financing and the releasing were always the tough part. Because I loved the creative; I loved the writing. I loved the making of it. Because, I guess, I never had the giant blockbuster, I never got that sort of ease for the next one.
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'Finding Nemo' has spawned so many sort of emotions over the years. I don't even know that you could really understand exactly what parents and kids are seeing in it, but they can see a lot of different stuff.
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You know what it is, the reason so many 18-year-olds, 19-year-olds are saying 'Drive' is their favorite movie is that 'Drive' is a 90-minute trip into what a lot of seventies filmmaking was. It encapsulates the best of a certain kind of style, and a style that a lot of people haven't seen before, with the music and the way it's edited.
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By the way, movies are like sporting events in that you're as good as the movie you're in. You can sit in a room for 20 years and go do a movie and you can just kill in it and you move to the head of the line again. By the same token, you can do five movies a year and if they're dreck, it's nothing.
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Once you sign on as an actor, you know, you don't go to the editing room, you don't see how they cut, you don't see how they score, you don't see how they cast the rest of the movie.
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I started on television. I had five years of network television before I ever got up on a stage. The first thing I ever did was in 1967. This guy Bill Keene had a little talk show at noon, and Gary Owens took over for a week. He knew about this dummy bit I used to do, this ventriloquist thing, and I was on 'Keene at Noon.'
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I'm a member of the Academy, but I don't know who all the other Academy members are. It's not like a politician who knows who is in the Iowa caucus.
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I made my living in comedy, but I'm not a silly person. I've got all these sides to me. Even in my movies that I've written myself, the characters sometimes border on great anger or nutsiness or other kinds of behavior. I'm not just doing fart jokes for two hours.
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Twitter, to me, works if you're funny. Twitter doesn't work as a promotional tool unless you do it very, very, very occasionally.
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I did years of summer stock. I sort of only wanted to be an actor. And then at 19, I was funny, and I had some of these bits that I did for friends, and I immediately could get on television.
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How many people didn't get a part who would have been better than the person who got the part? Thousands.
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Even in my comedies, I don't take anger as a joke. I think anger and laughter are very close to each other, when you think about it. One of the things I like about a character: I always think it's fascinating when a character can turn on a dime and go from one emotion to another. I like watching that.
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'2001' is a really interesting movie because it came out in 1968, and everybody thought that that was possible, and look how ridiculous that was. We don't have ships like that, and you know, nobody in 1968 was going, 'Oh, that'll never happen!' But of course it never happened. We're not even close to it.
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There've been a few mother-daughter movies that are somewhat realistic. But the mother-son movies are more comical than realistic: 'Throw Momma from the Train,' 'Stop! or My Mom Will Shoot.' You don't sit in the dark and go, 'Oh my God, that's my mother.'
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Nobody will leave any place unless they're forced out. That's the nature of humans. Once you're there, you're there. I've never seen anybody get up voluntarily and leave any place.
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The first act is writing, the second act is filming, the third act is releasing. If you have to partake in the third act, it hurts the first act of the next one. It's like a prizefight. You get punched.
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I'm really fond of 'Real Life' because I think it anticipated a whole movement. And people forget, they talk about 'Spinal Tap,' but that wasn't... this was a mockumentary a long time before that. It was one of the early, early sort of mockumentaries.
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Most entertainment is trying to get you. It's tested, like toothpaste.
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I come from the place where I am thinking 'I have put my blood on the pages.'
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If you paint, write, do mosaics, knit - if it's solving that part of your brain saying, 'I need to do this,' you've won.
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When I went to acting school, the kids that got the best grades were the kids that could cry on cue. But it didn't really translate into careers for any of them, because the external is the easy part.
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I've heard people say, 'There are no bad audiences,' but that's just not true. There are people who just shouldn't be together in a room, who produce a really bad audience.
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I think I present a different side of a male character: a side that is not John Wayne-like, a side that is, in fact, destructible. To some people, that is refreshing, and to other people, especially if they don't know me, it may be disturbing.
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One thing about Los Angeles is it feels like it's not new. It feels like it's already been built, and it's deteriorating, except for the places they're trying to make nicer. But in general, you drive all through the city, and the city feels like it was new a long time ago.