Albert Brooks Quotes
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There's always the standard six people you can hire that have played all these villains in Hollywood. Instinctively, when they come on screen, you know what's going to happen. You don't know the story, but you know what they do.
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Bullfights are hugely popular because you can sit comfortably with a hot dog and possibly watch a man die. It won't be me, but I can sit comfortably and watch it.
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Twitter is the Devil's playground.
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I can't not put humor in a book.
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This is a generalization, but I think women's brains are more accessible to ideas and differences. And they can accept stuff that's weirder. I think there are enough intelligent men out there who get it, but women will watch behavior that's different and process it better. In general, women are less threatened by their emotions.
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When I started out, I tried out all my stuff on national television. There were no comedy clubs, but even if there were, I don't think I would have gone to them. I used to do stuff in the bathroom, and then I'd drive down to NBC and do it on 'The Golddiggers' with Dean Martin.
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I was offered 'Pretty Woman.' I was offered 'Big' and 'Dead Poets Society.' But what was important to me in those years was to make movies, to make these Albert Brooks movies.
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I don't know how, where, and why the idea for 'Defending Your Life' began; the idea had been bouncing around for a while. Stories like that sort of have to bounce. They don't come out of nowhere. I went through my own period of life with sort of everything turning upside down, and wondering, 'Why is it this way?'
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It's funny: in the middle of making 'The Muse,' I was offered, at the time, the first 'Ice Age,' the part that Ray Romano took: I was offered the elephant. And I couldn't even stop to breathe, so I didn't do it. They've made, like, six of them. And in the animation business, for a voice actor, that's what you want. You want six, you know?
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You know what I've always wanted to do? I've always wanted to put a lung in a suitcase and send it through an airport security check. In effect, the guard would be looking at an X-ray of a lung.
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I've been doing comedy since I was two. You know, kids who make other kids laugh. The sickness had set in! I could make my friends' parents laugh; I had a sense of what was silly and funny.
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I cast unusual people in my movies.
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I don't know; I guess they'll never make another 'Nemo.' I see they're making another 'Monsters, Inc.' I had a wonderful idea for them. I swear to God, I think there could be a great sequel to 'Nemo' where the fish never will leave home. He just won't leave. 'Getting Rid of Nemo.' Right, 'You're 30 years old! Get out of here!'
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I probably learned, being in 'Taxi Driver' before I made my first film, I would come to the set every day just to watch how that film came about. It's like a graduate course: it's terrific. You talk to the cinematographer during the breaks. You ask the electrician why they are doing this.
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All improv turns into anger. All comedy improv basically turns into anger, because that's all people know how to do when they're improvising. If you notice shows that are improvising are generally people yelling at each other.
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My dad died right after performing at the Friars' roast for Lucille Ball and Desi Arnaz. I have that tape somewhere. There's still a lot of good jokes in there. I mean, that was 1958.
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I'm not interesting enough on my own that you'd want to see a film about me.
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In my screenplays - from the very beginning I've always used tape. I talk my screenplays. And then have somebody transcribe them.
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If we had 3 million exhibitionists and only one voyeur, nobody could make any money.
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I think anger and laughter are very close to each other, when you think about it.
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I had done about 60 television shows, from 'Ed Sullivan' to 'The Hollywood Palace,' before I ever went to 'Johnny Carson.' At the time, that was the showcase for comics. And I couldn't believe it.
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I never liked going in the ocean.
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It's interesting when you're part of a group - the Jews, to be exact - that the world has had such problems with.
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If you look at the best-seller list for American fiction, they're all sequels to detective stories or stories about hunting serial killers. That's what's called American fiction these days.