Levon Helm Quotes
Quotes to Explore
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Manhood coerced into sensitivity is no manhood at all.
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As much as possible, location-specific information should not be collected in the first place, or not in personally identifiable form.
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Diversity: the art of thinking independently together.
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I've never managed to keep a journal longer than two weeks.
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I traveled a full two years with 'Language of Flowers.'
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No access to me, nor my staff, will ever affect what we do to protect consumers of the state of Florida.
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I feel empathy for people who are trapped in a prison of self-consciousness in an uncomfortable way. We can be free, but we're so held back. So perhaps that's why I feel a duty to make my work. I feel liberated when I'm doing it, and I want other people to feel liberated through it.
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The notion that one will not survive a particular catastrophe is, in general terms, a comfort since it is equivalent to abolishing the catastrophe.
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I wake up every morning and I wish I were dead, and so does Jim.
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Sometimes I post something unwittingly that connects with women. But I never think, 'OK, let's take a shirtless picture for the girls.'
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As a writer and a mom, I wish I could split into two or three different people so I could be with my kids all day, write all day, and go out and do the interviews all day. Multiplicity woman!
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For me, comedy is richer and larger than anything else.
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One result of An American Family was that I became a gay role model.
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There are several very good websites which describe the details of preparedness planning for citizens.
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I think Isambard Kingdom Brunel would be a good chap to have supper with. Anyone who builds a railway and then builds a steamship when he gets to Bristol and can't go any further must be a good chap.
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I think they are very important because westerns have a code and a symbolism.
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I've done movies for certain reasons; I did 'Anaconda' because the black man lives. Simple. The black man isn't dead in the first three pages, like Jurassic Park. It's like, 'The black man kills the snake with a Latino girl? Damn! I got to do this.'
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I'm glad that cinema is catching up to what television has known for a while: That three-dimensional, complex women get an audience engaged as much as the men.
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I had a small-town life - I worked at the local McDonald's for three years. I'm not sure why they kept me: I am something of a daydreamer and a dawdler, so they would only let me be the 'friendly voice' that greeted you when you entered the restaurant.
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Think of an abstract painting as very, very low relief - a thing, not a picture.
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You can't meditate on walking or certain human habits. You concentrate too much on the way you walk, and you'll start walking pretty weird.
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My first day in Chicago, September 4, 1983. I set foot in this city, and just walking down the street, it was like roots, like the motherland. I knew I belonged here.
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I like walking on the edge.
