Amanda Crew Quotes
Quotes to Explore
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It's great when a director like Cameron Crowe can take what you do and fit it into what he's doing. If someone's a fan of you already, they can take what you do and make it work for what they're doing. You don't know their vision, and you're thinking, 'How is this guy going to take what I do and make it work in this movie?'
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I can't relate to skinny, perfectly sculptured, tanned men singing about gold chains and Ferraris because I'm not that way.
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The best way to preserve your privacy is to use a search engine that does not keep your logs in the first place. That's the approach used by Startpage and its European parent company, Ixquick.
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One of the most widely read novels by a black American is Ralph Ellison's 'Invisible Man.' It is his masterwork - it won the National Book Award in 1953 and catapulted my man to the highest levels of literary esteem.
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Crises are part of life. Everybody has to face them, and it doesn't make any difference what the crisis is.
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Television offered me the opportunity to do new things; I had written a lot of scripts other than scary movies. I had actually written some romantic comedies and stuff that I really wanted to try my hand at, and nobody would let me do that. Television allowed me to do anything I wanted.
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The rebuilding of Iraq has been terrible.
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I don't look at myself as suffering.
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You have your identity when you find out, not what you can keep your mind on, but what you can't keep your mind off.
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At the time, I didn't know that bass would not be enough for me. I'm not a bass player because bass is always a background instrument even to this very day.
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Unlike many Californians or New Yorkers, college football is a religion down south.
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I was the family alien. Both my parents are quite creative, but I was... appalling... always putting on little shows. I was rather a shy child, not a natural performer, but there was a performative edge to everything I did.
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I like doing my own stunts.
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I introduced the Food Security Improvement Act in Congress to remedy the fact that most SNAP beneficiaries find themselves skipping meals or running out of benefits every month.
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I love architecture almost as much as I love my musicals.
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As I began to take risks, leaving my very comfortable and secure job and taking this first leap into fashion, every subsequent risk became easier to take because I began to see the kind of opportunity and excitement that risk-taking offered.
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When other boys dreamt of going to the moon or becoming doctors, I wanted to be a designer.
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I saw Damien Rice in Dublin when I was 13, and that inspired me to want to pursue being a songwriter... I practised relentlessly and started recording my own EPs. At 16, I moved to London and played any gigs I could, selling CDs from my rucksack to fund recording the next, and it snowballed from there.
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There's a lot that's out of your control. But the one thing that you can control is your work ethic.
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The comics work is very slow, and it basically involves working for sometimes years in isolation and not knowing how the work is going to be received.
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You have to fit in sometimes to make people comfortable to listen to you.
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There should be a policy to have a mechanism in place to decide when and how to import or export.
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I have cultivated my hysteria with pleasure and terror.
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How can you not be affected by disappointments relating to work you love so much?
