Alison Gopnik Quotes
Young children seem to be learning who to share this toy with and figure out how it works, while adolescents seem to be exploring some very deep and profound questions: 'How should this society work? How should relationships among people work?' The exploration is: 'Who am I, what am I doing?'
Quotes to Explore
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The expression a woman wears on her face is far more important than the clothes she wears on her back.
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I'm not a sun person.
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Look, there ought to be politics in politics.
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I grew up with a pet iguana named Willy. We had a very contentious relationship. It turns out that iguanas are not meant to live in suburban homes.
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I was always quite good with accents - I always had quite a good ear - so from the age of about 13, I used to do a lot of voiceover and dubbing for foreign films.
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Maybe if Graziano make another work or another sport I wouldn't have had this passion to be a rider.
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And I've been walking 'round with memories way too long.
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I was lucky to have my allergist who diagnosed me with CIU.
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We should all love animals.
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Life can be pulled by goals just as surely as it can be pushed by drives.
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In times of crisis, the incumbent suffers. And the bigger the crisis, the greater the punishment inflicted on those in power unless they do something that makes a change.
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I have an hourglass shape, and I think it's important to understand your body type and your personality type. Then make whatever is on trend and in fashion work for you.
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I would love to play alongside Wayne Rooney. He does the running of two or three players and makes a lot of space. We would be the perfect combination.
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The talk shows in the States want celebrities, not authors. In France, it is different; writers are called upon to comment on everything. They have a very public role there.
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At the end of the day, an actor is only a cog in the wheel.
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The amount of sophistication varies according to the quality of the medium, and to the state of the same medium at different times; it must be attributed in the best cases physiologically to the medium, intellectually to the control.
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I'd always felt very strongly in the power of vocation.
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I'd like to write the way Matisse paints.
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I find that when I'm struggling to think of how a six-year-old would feel about something, I just have to go right down to the common denominator, find the simplest way that you can look at an object or a problem, and not muck it up with all of the stuff that adults do and over-analyze.
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When you're going bad, sometimes you need to relax more. I've always been intense. I didn't need to be more intense.
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Ever since I've ever heard music, I thought it should be very clean, very precise - as clean as possible, anyway, and more or less tuned to people. Something they could understand, something that was beautiful, you know?
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I do write a lot of children's songs, and I'm going to do a children's television show, which also means I'll be doing a lot of albums. So I do hope my future will hold a lot of things for children.
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Sound sounds are terrible in the city, but it's great to listen and to walk and listen to people talk to each other. There are birds. You hear spring. I like listening to the city.
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Young children seem to be learning who to share this toy with and figure out how it works, while adolescents seem to be exploring some very deep and profound questions: 'How should this society work? How should relationships among people work?' The exploration is: 'Who am I, what am I doing?'
