Allison Schroeder Quotes
I've been rewritten on past projects and thought, 'That's not what she was - she was this really powerful woman, and there's nothing wrong with that.' I'm going to keep writing them, and hopefully people will start making them.
Quotes to Explore
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It may be assumed as a fixed truth that the prosperity and riches of the farmer must depend on the prosperity and good national regulation of trade.
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I don't have to really be in the 60s. Every time I hail a cab in New York, and they pass me by and pick up the white person, then I get a dose of it. Or when they don't want to take you to Harlem. I grew up with that.
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Comedians take a neat situation and turn it into a mess. And in my books I do the same thing, but it's the other way around. I like to mess around with mess. A mess is only a mess because someone tells you it is.
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Any form of art is political if you make it that way.
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Natural selection is not gene centrist and nor is biology all about genes; our comprehending minds are a result of our fast evolving culture.
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My writing is a very authentic journey of discovery. I'm going out there to learn who I am. My readers, consequently, take the same journey as my protagonist.
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We as children went up the mountain to find feed for livestock, like goats, cows and horses, and because in the winter time we would light the fire in the house, we would climb the mountain to collect firewood as well. Because of that, I suppose I became used to climbing mountains.
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I was quite keen on silviculture, the growing of trees, and that was something I gave a lot of thought to. Maybe I could've gone in that direction. But it just so happened that while I was trying to make up my mind, I enrolled in art school, and there I began to develop my interest in music, parallel with my interest in the visual arts.
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Usually I trundle about in trainers and baggy jeans, looking about as attractive as a potato.
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In law school, I earned the respect of professors and served on the editorial board of 'The Yale Law Journal.'
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I'm from Port Arthur, Texas! Little guy! Little character guy from one of the saddest oil-refinery towns in America. And here I was driving over to Beverly Hills, to 20th Century Fox, to be on 'M*A*S*H!'
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I think happiness is a combination of pleasure, engagement and meaningfulness.
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Being Jewish is a big part of my artistic sensibility and my humor... I think it gives me a certain take on the world on a literary level.
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There is a kind of structure for a story that was peculiarly compelling for the radio. I thought I had invented it atom-by-atom sitting in an editing booth in Washington on M Street when I was in my 20s. Then I found out that it is one of the oldest forms of telling a story - it was the structure of a sermon.
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I'm more comfortable writing traditional protagonists. But 'Steve Jobs' and 'The Social Network' have antiheroes. I like to write antiheroes as if they're making their case to God about why they should be allowed into heaven. I have to find something in that character that is like me and write to that.
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Children in their young teens are just moving into the moment when they are most receptive to philosophy and psychology. You can explore these things in stories and, in doing so, give them power and control.
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I don't know what these Republican congressmen drink that make them experts on women's reproductive health.
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America's grossly unfair tax system won't lead to class war. Or, if it does, the war will be brief.
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Sometimes, I'm very embarrassed.
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Seeing is no longer believing. The very notion of truth has been put into crisis. In a world bloated with images, we are finally learning that photographs do indeed lie.
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I was on 'Melrose' at a time where we had to all go home and be there at the same time when the show was on, or set your VCR. But that was a big thing, and people of my generation still talk about that. They remember where they were, at what point of their lives that show came, and then talking about it the next day.
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The joker in the deck of lesbian fidelity is female vanity: no woman of fifty is going to undress in front of a woman of twenty no matter how much she might lust for her.
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I've been rewritten on past projects and thought, 'That's not what she was - she was this really powerful woman, and there's nothing wrong with that.' I'm going to keep writing them, and hopefully people will start making them.
