Amor Towles Quotes
When I visited Moscow for the first time in 1998, I wandered into the historic Metropol Hotel as a curious tourist simply to ogle the giant painted glass ceiling that hangs over the grand restaurant off the lobby. It was the memory of that short visit that prompted me, some years later, to set 'A Gentleman in Moscow' in the hotel.
Quotes to Explore
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Yeah I'm still writing. I've got about 14 tracks now. But we've been on tour so we haven't had time to get back to a rehearsal place.
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After I was 70, I realized that, 'Okay, I would like to have another 50 years, and I probably could.' But part of me is saying, 'Maybe I'm not going to have that much time.'
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I feel 'proud' whenever I feel that I've worked on something for a certain amount of time with a certain amount of attention. I'm not sure if I think in terms of 'pride' though.
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What's funny in 'The Mayor of MacDougal Street' is how Dave Van Ronk talks a lot about the time and how exciting it was and how electric it was.
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Marley is someone before his time, man. He's - he's almost - he's like a deity, like almost, you know what I mean? I just talk about what's going on, but of course, you know, Bob, before rappers, was already laying that kind of thing down.
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I took a lot of time to open myself up to taking chances musically.
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I don't just act to pay my rent. I really like doing it, so I get frustrated when I don't get to do it all the time, so short films are a really great way to be doing it and working with your friends, working on smaller, more specific things without limiting yourself in other ways.
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I can't really see myself as an artist. Now, to step out here and there, do it when I feel like it, that's a possibility. But for me to be a full-fledged, full-time artist in the industry, I don't think so.
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I felt like an outsider. The only time you get to really know guys is on the ice, and I couldn't be there.
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I live in Canada in the summer and some time in the fall.
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Sometimes I know a joke I'm going to yell out ahead of time, but most of the time it's stream of conscious. You never really know it until you've got everyone dressed up, the set is built, all the extras are here.
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I went to see the film with a regular audience for the first time on Sunday, and was basically swamped.
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I hate wasting people's time.
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In Finland we have equal political rights for women and men. We do not regard ourselves according to sex.
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I was so nervous because I was doing my first film. I didn't want to embarrass myself. I'm an incredibly insecure person, and knowing that I had to go on set in next to nothing, it scared me, but at the same time, I knew it would be a challenge to open me up, not only as an actress but as a person.
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I think as a child you know when it's time for your parents to split. You realise they love each other, but they're not in love with each other. And I think as a child it's much better for your parents to split than for them to stay and have dysfunction within the family.
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Every once in a while, someone will mail me a single popcorn kernel that didn't pop. I'll get out a fresh kernel, tape it to a piece of paper and mail it back to them.
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For a short time I was an assistant to a professional photographer, and I felt that my soul was not there. That is the stage when I decided to stay in London and do a graduate degree.
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Then I left that school and I went to Cerritos College, which was in southern California; they had one of the best big band programs in the country at the time.
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I never liked the glossiness of highly produced standup specials in general - I like it where it has more of a feel of the type of places I usually perform. It seems kind of weird when you do a special to go perform in a place unlike the place where you perform 95% of the time.
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As human beings, our job in life is to help people realize how rare and valuable each one of us really is, that each of us has something that no one else has-or ever will have-something inside that is unique to all time. It's our job to encourage each other to discover that uniqueness and to provide ways of developing its expression.
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In terms of identity, I'm the same person no matter what I'm doing.
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When I visited Moscow for the first time in 1998, I wandered into the historic Metropol Hotel as a curious tourist simply to ogle the giant painted glass ceiling that hangs over the grand restaurant off the lobby. It was the memory of that short visit that prompted me, some years later, to set 'A Gentleman in Moscow' in the hotel.
