Amor Towles Quotes
I had a 20-year career. I have two children. The advantage of writing later in my life is that I already had a whole mature realm of accomplishments and responsibilities, an identity outside of being a writer.
Quotes to Explore
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Violin playing is a physical art with great traditions behind it.
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The tragedy of all of this is that it happened to me and it shouldn't have happened. It ruined my life and my career. That's the tragedy of this.
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My professional and human obsession is the nature of language, and my best relationships are with other writers. In many ways, I know George Eliot better than I know my husband.
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I would love to have been around in the Keystone Studios days.
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I've asked Jobs why he didn't get an operation then and he said, 'I didn't want my body to be opened. I didn't want to be violated in that way.'
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I never thought 'Stairway to Heaven' was a long song. I loved how there was this part and then there was another part that was completely different.
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The more I talk about things, the more I understand myself.
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There are times, especially when I was just getting into PC gaming, where I spent way less time playing than obsessing about the quality of the play.
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I don't believe in miracles.
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My daddy used to say that I was too big to ride and too little to hitch a wagon - no good for a damn thing.
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I want every day to be life for the living, not just traipsing through it existing. I'm just interested in life and the world and exploring.
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I am the kind of person who does not like to carry baggage. In fact, I don't go back and listen to my own music. I believe in closing chapters and moving forward. That's what gives me peace.
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Born in 1936, I experienced the Second World War as a child in the city of Gelsenkirchen-Buer. This area was heavily bombed, but fortunately, all members of my family survived the war and post-war period.
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The rewards of freedom are always sweet, but its demands are stern, for at its heart is the paradox that the greatest enemy of freedom is freedom.
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For the doubters out there, of course I was going to have help from Penguin's editorial team in telling my story, which I talked about from the beginning.
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I auditioned in Chicago for Juilliard and didn't get in. I was basically living in a back room of my parents' house, paying rent and not doing anything with my life. I'd like to say it was patriotic to join the Marines, but it was also that I was doing nothing honorable with my life and spending too much time at McDonald's.
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You don't project yourself in the Hall of Fame as a player. It's only during that five-year period where people start asking about it, and it doesn't seem real until it happens.
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I had to jump on the tractor and do my chores. I would have just killed to be in town, to be able to Rollerblade hand-in-hand with somebody I had a crush on. I just wanted to get off the farm, to find my outlet.
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We have learned how to do a lot of things. We must try to relearn why.
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There is no doubt that Michael Symmons Roberts is a very good poet - you don't win a Whitbread award and get shortlisted for a TS Eliot prize for nothing. Few poets, though, have ever been good novelists, and vice-versa.
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Evolution isn't just a take-it-or-leave-it story about where we came from. It's an epic at the centre of life itself. It tells us we are part of nature in every respect.
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I didn't really have a mentor, but I have always definitely been inspired by the '70s - the Stones, Patti Smith, Anita Pallenberg.
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Along with former President Bill Clinton, we have Sam Nunn to thank for the sorry debacle of 'Don't Ask, Don't Tell.'
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I had a 20-year career. I have two children. The advantage of writing later in my life is that I already had a whole mature realm of accomplishments and responsibilities, an identity outside of being a writer.
