Victoria Hamilton Quotes
Looking at the actors I most admire - Judi Dench, Ian Holm, that whole generation - they all started in rep and slowly built themselves into the position where they could juggle theatre and film.
Quotes to Explore
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I'm thinking of doing more theatre. It makes me very happy.
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I want you to feel happy and enjoy the theatre of my life the way that I do. No matter what happens with my music and wherever I go - that heart of that glamorous girl in New York will never be gone.
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The last time I had to make a career decision, I was 17. I could have gone to Ballet Theatre or National Ballet of Canada. There were options. But as I became exposed to the Robbins repertoire, I realized that there was a living genius in the house.
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My mum was no pushy parent. She would drop me off for auditions when I was in my teens at the Lyric Theatre, then give me my bus fare and say she would see me later at home. She wasn't hanging around in the wings geeing me on. I had to do it on my own; it was up to me.
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Filming is quite exciting because every day is different, but it can involve long hours standing around in chilly locations. Theatre is a very different challenge because every night you're striving to keep it fresh, even though you might have been performing the same play for months.
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There's such a sense of theatre in getting glammed up; it's like putting on a play or short film.
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It's a scary thing going into the workforce with a $50,000 debt and you've been trained as a classical theatre actor. There's always a depression in the theatre.
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I did a drama degree, went to secretarial college, then got a job with a theatre company in Birmingham. It's been a slow burn, which doesn't seem to have gone out.
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The cool thing is that, unlike film, the theatre roles for women get better and better as you get older.
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I think the paparazzi is a necessary evil... and if ya don't like it, and ya don't want to do this, go to Iowa and do some community theatre. It's all about self-promotion, and it's not always the fun part of it.
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I started in theatre, and for me, it was all about transformation. You transform into the character that you're playing.
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I loved living and breathing theatre so much that I decided I had to find a way to bring my desire to act and my ability to support myself together. I'd run through the possibilities in Washington, so that meant moving to New York.
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There wasn't anyone in my family who was involved in the theatre. I saw a few amateur plays when I was growing up, but I can't think of anything that happened or anybody in particular who inspired me; it all came from within.
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I grew up in a very small town and didn't realise till later that I had an adventurous side. When I went to theatre school at 18, I came into my own and let loose.
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As a child, my father's architecture seemed to me to be industrial in a way. It seemed harsh and kind of chilly; I didn't respond to it.
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There's a tradition in British intellectual life of mocking any non-political force that gets involved in politics, especially within the sphere of the arts and the theatre.
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Musical theatre is something that I always wanted to be a part of, and my first ever role on the West End as Joseph in 'Joseph And The Technicolor Dreamcoat' gave me a taste for it.
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I went to Paris for a year in 1986 to study theatre; there was a lot of clowning around, buffoonery and fencing. It was then that my own style kind of blossomed.
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What draws me to the theatre, and what appealed to me about Too Much Light, is that you have no idea what's going to happen. That's the most exciting part of theatre, it's never the same. If it were, it would be like watching a movie.
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The theatre is a gross art, built in sweeps and over-emphasis. Compromise is its second name.
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I was born and raised in Rogers Park in Chicago. My father sold furniture, and my mother was a Chicago public school teacher and proud member of the Chicago Teachers Union for decades.
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We all know that the people we love are mortal, we all know we’re mortal, we know it’s going to end; you cannot prepare yourself for it.
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More information is always better than less. When people know the reason things are happening, even if it's bad news, they can adjust their expectations and react accordingly. Keeping people in the dark only serves to stir negative emotions.
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Looking at the actors I most admire - Judi Dench, Ian Holm, that whole generation - they all started in rep and slowly built themselves into the position where they could juggle theatre and film.
