Ty Dolla Sign Quotes
Quotes to Explore
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You're only as good as your last song. That's something somebody told me, and it's so true. You've just gotta keep putting yourself out there, even promoting 'God Made Girls.'
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Tori Amos had a major influence on how I craft words in a song.
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You can't try and make something you think someone else will like. You can only make what you like. How can you make a song that Yo-Landi Visser likes? You don't know me. You'll never understand me.
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When you're collaborating with somebody, there has to be a spirit of cooperation. There are a lot of times when you just can't persuade someone to write a certain type of song, either musically or lyrically.
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As a songwriter I hate this whole, 'If it's a sad song, it has to sound like a sad song thing.' And that goes all the way back to my days with the Format. I'm an insane narcissist, so if I have to get something off my chest, I'll get something off my chest.
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Music rhythms are mathematical patterns. When you hear a song and your body starts moving with it, your body is doing math. The kids in their parents' garage practicing to be a band may not realize it, but they're also practicing math.
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I wouldn't want to cover a Hank Williams song in a country-western way. It doesn't occur to me instinctually to re-create productions. I'm interested in re-creating songs. Putting different clothes on them.
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'Float On' was a fine song, but I was still writing the lyrics on the last day we were working on it and deciding if it was something we wanted to put on the record.
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I like finding that common point between another song and my music. It's like between people; you can be of religion or another, from this country or from another country, but we're all basically the same. It's just the same with songs.
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Music's always been really cathartic. It's the best drug for me to get away from the everyday pressures just for a second via a good song.
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It's not just that government has failed us. It's not just that we have failed ourselves. It's government. It's individuals. It's sort of everything in between, from families and communities and neighborhoods, churches and so forth.
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Toil without song is like a weary journey without an end.
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I'm a pretty easygoing person, and it bleeds into the music. Even if I'm writing the most personal song, it's not going to come out totally serious; there's always a little tongue in the cheek.
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That's my favorite part about songwriting, the way you write a song, and someone else might hear it a different way.
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I try to tell a story musically in a song.
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To write a love song that might be able to make it on the radio, that is something that is terrifying to me. But I can definitely write a song about that chair over there. That I can do, but to sit and write a pop song out of the clear blue sky, that is very difficult and I admire the people that can do it.
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When I see things that are inspiring, I must write a song about it. Some people make a t-shirt or slap something on a wall with paint, but I must make music and freestyle rap.
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The song 'What Goes Up' was inspired as I was playing the piano and reminiscing about the Spaceship One launches I witnessed in the Mojave desert. It is an awesome thing to comprehend the magnitude of what a human being dreams and imagines can be realized.
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I'm the most terrific liar you ever saw in your life.
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I feel I should never do passive characters. They don't work for me.
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What am I doing in this silly showbiz life? I do wonder that sometimes.
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We tend to rush toward the complex when trying to solve a daunting problem, but in this case, simplicity wins. Better buildings, responsible energy use and renewable energy choices are all we need to tackle both energy independence and climate change.
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One day, I'm gonna make a song with Kaskade.
