Edward Abbey Quotes
Quotes to Explore
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I often get mistaken for Dumbledore. One wizard is very much like another.
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Seriously, 'Honey Boo Boo' is the decay of Western civilization. Just because so many people watch the show doesn't mean it's good.
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I wish I'd gone to music school or just started playing in bands sooner.
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I studied Morse code.
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I really believe you can predict when someone has a great attitude, a real well of talent.
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I was a commercial girl. In drama school, I was a mediocre model occasionally to pick up some extra cash, and because clearly I'm not six feet tall, and I had baby weight, I would mainly just would do promotional stuff.
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After the second and final time that I got hugely fat in my life and when I lost that weight six or seven years ago, I pretty much decided that I was going to stay in decent shape for the rest of my life.
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On banks, I make no apology for attacking spivs and gamblers who did more harm to the British economy than Bob Crow could achieve in his wildest Trotskyite fantasies, while paying themselves outrageous bonuses underwritten by the taxpayer. There is much public anger about banks and it is well deserved.
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The problem of telling contemporary history is that your message gets outdated.
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With 'Free Agent Nation,' I was figuring out how to write a book along with writing the book. Now I think I've kind of, sort of figured out how to write a book a little bit better. But the process remains not that different - slow; laborious; tiny, incremental progress each day, punctuated by feelings of despair and self-loathing.
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Children like being a little scared, but they don't want to be disturbed.
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I busted my butt all my life building companies.
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You have to have sympathy for and an empathy with a character in order to play them.
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Crony capitalism is alive and well: the big are bigger, the wealthy are getting wealthier because, with a very large powerful complicated government, which is what we have and which Democrats want more of, only the big, the powerful, the wealthy and the well connected can survive.
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As I read more and more fairy tales as an adult, I found massive collusion between their 'subjects' and those in my fiction: childhood, nature, sexuality, transformation. I realized that it wasn't by accident that I was drawn to their narrative structure and motifs.
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You are a dear soul who plays polo, and I am a poor Pole who plays solo.
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We had to be very careful on our best behaviour when we went to these other countries. And then I made a living, I had a chance to support my wife and my kids. It was a wonderful, wonderful, wonderful program from that point of view.
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I realise I might pass down an incurable illness to my son, but living based on what might go wrong seems like less and less of a life as I get older. The one thing I can try to control is whether I teach my child to be ruled by anxiety, by fear. That's something that gets passed down, too.
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If you can walk into a set and feel the reality of it, then immediately you're not having to work to bring yourself into the character.
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I have programmed myself to be at least 105 years old.
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If we can sympathise only with the utterly blameless, then we can sympathise with no one, for all of us have contributed to our own misfortunes - it is a consequence of the human condition that we should. But it does nobody any favours to disguise from him the origins of his misfortunes, and pretend that they are all external to him in circumstances in which they are not.
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Laws alone can not secure freedom of expression; in order that every man present his views without penalty there must be spirit of tolerance in the entire population.
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Freedom begins between the ears.
