Lord Mountbatten Quotes
Quotes to Explore
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Truth in our society often takes a back seat to securing gainful consequences.
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What we need to do is break the financial community's grip on society.
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I think rap music is brought up, gangster rap in particular, as well as video games, every other thing they try to hang the ills of society on as a scapegoat.
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Society exists only as a mental concept; in the real world there are only individuals.
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I've been influenced by some of the greatest designers. Charles Eames. And Bruno Munari in the '50s in Italy - when they had to retool the industry of war into an industry to help society. In a way, I'm influenced by designers that were there at a radical time of change.
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Stories in which the destruction of society occurs are explorations of social fears and issues that filmmakers, novelists, playwrights, painters have been examining for a long time.
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Building sustainable cities - and a sustainable future - will need open dialogue among all branches of national, regional and local government. And it will need the engagement of all stakeholders - including the private sector and civil society, and especially the poor and marginalized.
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The 1960s were about releasing ourselves from conventional society and freeing ourselves.
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Capital is reckless of the health or length of life of the laborer, unless under compulsion from society.
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Rising anti-Semitism is rarely the lone or the last expression of intolerance in a society.
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You can't reorder any society from outside. You can help from within.
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I think Stella Tennant is amazing. And then I really loved all those '60s society models, like Edie Sedgwick.
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Orwell wasn't right about where society was in 1984. We haven't turned into that sort of surveillance society. But that may be, at least in small part, because of his book. The notion that ubiquitous surveillance and state manipulation of the media is evil is deeply engrained in us.
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I mean, comedy's hard. If you go back and look at the first season of 'Seinfeld,' it's a work in progress and that's what happens. It just takes time for people to figure each other out, and figure out timing, and to develop creatively with the writers.
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I think, my own personal view is there should be higher and higher levels of autonomy; government should not interfere in setting up colleges, in running colleges. The market, the society will decide which is a good university, which is not a good university, rather than government mandating.
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Again, as a gay man I look at that and say there's a hopelessness that surrounds it, but as a human being I look at it and say 'Why? Where's this disparity coming from, and why can't we as a culture and society dig deeper to examine that?' We're terrified of facing ourselves.
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Besides entertainment and action, I want to educate. You know, as a producer or director, we do have a responsibility to society.
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I do not want to be a robot, a cog in society who answers 'yes' because 'yes' is considered the appropriate answer. Neither do I want to be a protestor. I just want to seek out what lies underneath the veils of politeness and programming that I've been given as a person in this society.
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Fame is a dangerous thing. It's what the post-industrial society wants. They want fame and many followers on Twitter. But to really make the world understandable, that challenge is remaining.
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Our society is constantly creating this framework for girls to feel that their only worth is their appearance, and it's damaging on so many levels to so many people.
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I couldn't tell the truth if my life depended on it.
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Whether it's trivial or important, every choice has a moral aspect to it to a certain degree.
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I was a chubby kid, an outsider, and then all of a sudden I shot up to 6 foot 2, and people started calling me handsome. I couldn't accept it; I couldn't see it.
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In 1966 I became president of the British Computer Society.
