Andrew Brown Quotes
Quotes to Explore
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My parents divorced when I was seven. Because divorce is messy, for good or ill, they sent me to boarding school.
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I still remember my first Giacometti exhibition, and going back to the museum every day, whenever I could, to look again and again at these long, thin stick figures, so beautiful, so graceful. That, I think, was the moment I became really obsessed by art.
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I find the whole situation of confronting an audience terrifying.
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I'm happy pretty well anywhere on this big, beautiful planet.
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A lot of people who want to cook with less fat are surprised by that. You can cook vegetables in a little water in a covered pan and then throw the fat into the residual liquid to coat them.
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I've had situations where producers would be like, 'Could you meet me? Take the train; don't tell your parents.'
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Upon the death of my father, our family and myself were emotionally and financially exhausted.
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I love Johnny Cash, and I respect Johnny Cash. He's the biggest. He's like an Elvis in this business, but no, he's never been the rebel.
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Public appearances are a headache. I hold mine down to a minimum.
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If you're black, if you're gay, if you're Latin - we're all the same. We're all the same, and we all want the same: We want to be happy.
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The bigger we get, I think the more it's changing things, which is great, but we didn't set out to do that. We just wanted to be as big as we possibly could be.
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I didn't go to law school to become a lawyer, per se - let's just say I was leaning in to some strong suggestions from my parents - but my nebulous goals of someday becoming a writer were just that, nebulous.
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Strip makeup lights just don't give you a fighting chance no matter how good looking you are. Light sconces that flank the mirror illuminate your entire face evenly.
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Unless the reformer can invent something which substitutes attractive virtues for attractive vices, he will fail.
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I don't do office work at home.
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Films, fiction, can encompass a whole global vision on a particular subject with any story, whatever it is. You can play the story in whatever country with whatever language in whatever style you want to tell the story in.
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Our memories are convenient lies we create, cribbing images from others' experiences. We discard the personal specifics which don't conform to the ideal conventional beauty created by art directors and cinematographers.
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I love 'Homeland.' I think it's such a well-done, well-acted TV show.
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Ex-Fidelity mutual fund manager Peter Lynch was certainly brilliant in one respect: he knew to get out when the gettin' was good.
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We wanted to interview people on the show, do variety, get the artists, the guests involved with us in our group. They wanted to keep the four guys together. We wanted to change the format.
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We all come in different shapes and sizes, and that's fine by me.
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Their forms had no more influence on me than they did on Matisse. Or Derain. But for them, the masks were sculptures like all others. When Matisse showed me his first African head, he spoke to me of Egyptian art.
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I was 5 years old when the stock market crashed; I lost everything.
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Art, in the first place, has to connect with yourself.
