Andrew Zimmern Quotes
I grew up in a time when we didn't have the Internet, and we didn't have smartphones and things like that.
Quotes to Explore
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Romeo Must Die came at the right time. It was the right vehicle for me.
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I wanted to bring back that big, ballad type of music that we used to love so much. Whitney Houston, Mariah Carey, when they first came out, that's what I grew up singing.
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I'm not anti-middle-class in the slightest. Look at me! I am very pro people putting time and money and effort into trying to improve the world.
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I thought I was going to be a filmmaker but at the same time I was an intellectual and I felt that I could make a contribution to some field, as yet, not invented.
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There's such a sense of theatre in getting glammed up; it's like putting on a play or short film.
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To keep art stimulating, it's important to open it up to new horizons, which includes showing it in unexpected contexts.
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Doing the long lines - it looks easy when actresses do it: they just say it straight up, looks like they do nothing wrong, they just keep going, but it's not like that.
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I was watching TV and saw people with masks, weapons, and grenades. I thought, Is that really possible? Could we be here yet again? And go into civil war one more time?
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You never know how much time you got.
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As Governor, I could think of only one way to unify our State that was made up of so many different climates, political beliefs and people, and that was our music.
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It takes time and energy, and if I'm working, then I'd rather flop in front of the telly than put on a tiny dress and work out how to get myself to God knows where. I mean, lazy some would call it.
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I grew up in a very small town and didn't realise till later that I had an adventurous side. When I went to theatre school at 18, I came into my own and let loose.
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The championship always goes to the team that wins the most rounds and is the most prepared. I think everybody on our team works hard towards keeping that goal. Time will tell if we're prepared or not.
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I start writing with only the vaguest idea about who my characters are and what is going to happen, and the characters and plot come into existence as I go. I've tried doing it the other way, but for me, outlining is a waste of time because I never follow the outline.
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The era of playing aggressive cricket and to have the mid-on up is gone. You now try to read the mindset of a batsman.
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Time dissolves in summer anyway: days are long, weekends longer. Hours get all thin and watery when you are lost in the book you'd never otherwise have time to read. Senses are sharper - something about the moist air and bright light and fruit in season - and so memories stir and startle.
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In films I might look glamorous, but I've been in hair and make-up for two hours.
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When I was growing up, my white friends would call me: 'Hey, Chief!' Even when I go to work now, people call me 'Chief.'
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On a very personal level, I have fond memories of spending a lot of time in the Library of Congress working on my collection of poems 'Native Guard.' I was there over a summer doing research in the archives and then writing in the reading room at the Jefferson building.
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I like when my face tingles, when the hair on the back of my neck stands up.
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Because I'm always away, coming home to a clean house means a lot to me. Trust me, I've lived with a lot of roommates, and straight guys are just kids who don't pick up after themselves.
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Wagon is the bread-earning horse of the Railways. Load it adequately. Make it run and don't stable it.
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I'd really like to work with Gwen Stefani and Cee Lo.
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I grew up in a time when we didn't have the Internet, and we didn't have smartphones and things like that.
