Louie Anderson Quotes
Quotes to Explore
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They were saying computers deal with numbers. This was absolutely nonsense. Computers deal with arbitrary information of any kind.
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I remember everything from 1976. I remember I was 14, and I remember my routines.
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A great many things which in times of lesser knowledge we imagined to be superstitious or useless, prove today on examination to have been of immense value to mankind.
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You make knowledge relevant to life and you make it important for children to learn things that will really relate to things going on in their lives, and not abstract.
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When we talk about the minimum wage, we have to ask ourselves what it is that we owe both our workers and employers. I think clearly we owe them fairness.
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Today's films are so technological that an actor becomes starved for roles that deal with human relationships.
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Destroying rainforest for economic gain is like burning a Renaissance painting to cook a meal.
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I am not going to talk about my personal life anymore. You have to learn that lesson sometime.
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Eighty-five per cent of the crowd is going to fall in love with me - they're going to feel it, wow. But fifteen per cent are going to think, 'This guy is obnoxious.' I spend enormous time with them - every negative review of 'Crush It!' on Amazon has a response from me - and I can probably bring back ten of the fifteen.
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Lastly, his tomb shall list and founder in the troughs of grass. And none shall speak his name.
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I may play some exhibition games so I don't want to quit the game of chess completely. I just decided and it's a firm decision not to play competitive chess anymore.
Garry Kasparov -
For 'Ghostbusters,' the thing that makes it such an amazing franchise and an amazing idea is that it is adds the element of physics and technology. It's not just about ghosts. Who the heck came up with that? It is such a good idea, such a unique combination of stuff from different genres. Ghosts and sci fi.
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When we set out our original program from the beginning, obviously our markets were pretty limited, and we were thinking about them mostly as U.S. shows, and they would travel like other U.S. shows have.
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I guess what all artists want is for their work to touch someone or for it to be thought provoking.
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My kids have played sports all their life, and one thing I've tried to teach them when you lose, you try to be a gentleman about it.
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I'm not a good Samaritan, I'm a businessman... The goal is to read and react. If we sign an artist that has potential for a shelf life way out in the distance, then we'll stay. But if not, then we won't.
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I stay excited 'cause for me, this is something I love to do. I'm like Coca Cola with it. I been here for a long time, I just gotta keep it nice and stay up to date and also give them that quality taste that they been looking for. It's nothing to me. When you built for it, you born for it, you do it cuz you wanna do it, not cuz you have to.
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It's like nothing's really happening. Our culture is almost dead.
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I had a very happy childhood. But I was sent off to boarding school at quite a young age, this massive Victorian house that was suffocated in ivy. I think there is a part of that school in 'Heap House.'
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I tend to like simple music. And clever, succinct lyrics. Songs that don't try to be more than they need to to be effective, to stir up something emotionally within you.
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Just to know that someone who's 15 years old is listening to my music and the work that I've done - it's definitely a blessing.
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Hebrew School was my first introduction to real feminism. I remember that much more than I remember any kind of actual religious teaching.
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I want people to stop being so obsessed with the way they look.
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I think I have always tried to connect my comedy to my art.
