Louise J. Kaplan Quotes
Quotes to Explore
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The products in my bathroom are pretty minimal. Issey Miyake makes great cologne, and I use everything from Zirh, especially their shave scream. I really like Mario Badesco aftershave, too. It's amazing.
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'In A World...' changed my life a thousand per cent. I feel thankful that something I believed in so much - I love dialect, so I dedicated five years of my life to making a film about it - yielded such rewards. It led to 'Man Up,' as well as 'No Escape,' which comes out later this year... two movies where I am the female lead.
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I didn't start working out until college. But in college I could feel my body changing, and I knew that if I didn't make some changes, I was going to go in the wrong direction.
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I am as bad as the worst, but, thank God, I am as good as the best.
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Life isn't about quantity, it's about quality.
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Being in a wheelchair for 30 years. I'm not whining about it because I don't dwell on things I can't do anything about, you know. I never really think about until somebody mentions it. I did take a bullet.
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I am no longer concerned with sensation and innovation, but with the perfection of my style.
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People often ask me whether I believe in God. I haven't seen God. But I think that one's beliefs are one's God - and, in those terms, yes, God is there.
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I want to give a child a life who wouldn't be given a life. I want a child that nobody else wants.
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No policy that does not rest upon some philosophical public opinion can be permanently maintained.
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It is right that he too should have his little chronicle, his memories, his reason, and be able to recognize the good in the bad, the bad in the worst, and so grow gently old down all the unchanging days, and die one day like any other day, only shorter.
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Why do two colors, put one next to the other, sing? Can one really explain this? no. Just as one can never learn how to paint.
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If it's something quite low-key then I'll often do my own makeup. But for something like a premiere, it's good to have a makeup artist because they know what they're doing.
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Story and plot, not historical facts, are the engine of a novel, but I was committed to working through the grain of actual history and coming to something, an overall effect, which approximated truth.
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I guess what all artists want is for their work to touch someone or for it to be thought provoking.
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I like new challenges and new experiences.
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'General Hospital' was so massive in the 80s and that's when people my age or even younger watched that show. A generation grew up on that show, Luke and Laura, I came in on the cusp of that so there's still a lot of 'Frisco.'
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I love to play with the notion of who the protagonist is - who is the audience supposed to root for? I did it in 'Sicario' and feel it was the strength of the script - guiding the audience's allegiance toward the villain because they think he's the hero, until it's revealed that he's the villain.
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To wake up when the sun comes up and enjoy that and then, when the sun goes down, to have a nice property or house where I could watch it on my porch when I'm older. It would be peaceful.
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My hero is Michelle Williams, who I grew close to when we did 'Meek's Cutoff.' She's an extraordinary actor and mom.
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America always pivots between collective responsibility and the idea that the individual can pull himself up by his bootstraps.
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Everything I touch seems destined to turn into something mean and farcical.
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You just learn to cope with whatever you have to cope with. I spent my childhood in New York, riding on subways and buses. And you know what you learn if you’re a New Yorker? The world doesn’t owe you a damn thing.
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Adolescence is the conjugator of childhood and adulthood.
